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http://worldcat.org/entity/work/id/502164509

L'eclisse The eclipse

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type

about

actor

alternateName

http://schema.org/alternateName

  • "Eclipse [videorecording]"
  • "Éclipse"
  • "Eclipe"
  • "Eclipse"@en
  • "Eclipse"
  • "Michelangelo Antonioni's The eclipse [videorecording]"

contributor

http://schema.org/contributor

description

http://schema.org/description

  • "A detailed study of the moody surrender of a woman to a rare and illusive love."
  • "Vittoria breaks up an affair with an older man when she realizes she no longer loves him. She soon meets a vital young man, Piero, a stockbroker. Yet despite their strong mutual attraction, she comes to feel this romance, too, is doomed, perhaps in part because of his excessive commitment to materialistic values."
  • "A young woman, after breaking off an affair with an older man, finds herself in Rome alone. She meets a young stockbroker, but the love affair is doomed because of his materialistic nature."
  • "A young woman who has just ended one relationship meets a stockbroker who lets the world of the stock market govern his every action, even his way of loving."
  • "L'Eclisse opens with the end of a relationship and closes with what amounts to the dissolution of another. It forms, with L'Avventura, La Notte, and Il Deserto Rosso, a tetralogy whose ostensible subject is the failure of relationships, or 'existential anxiety', in an increasingly fragmented world. What he sees as the dissolving of subjectivity is at the centre of Rohdie's re-reading of Antonioni's work. In L'Eclisse the narrative is increasingly reduced, abstracted and nearly obliterated. In the final scene the camera records the space where the meeting between the couple does not take place. Narrative events are replaced by a montage of fleeting moments and impressions which are made narratively insignificant by the absence of the characters. This foreshadows Antonioni's radical repositioning of point-of-view in subsequent films."
  • "A prolonged detailed illustration of the moody surrender of a woman to a rare and ilusive love."
  • "A young man involved in the stock market works hard to make a profit but finds that his busy life was affecting his relationship with his girlfriend."
  • "A young woman, after breaking off an affair with an older man, finds herself in Rome and alone. She becomes friends with a young stockbroker, but after he has an accident, she once again finds herself alone."
  • "A young woman, after breaking off an affair with an older man, finds herself in Rome alone. She becomes friends with a young stockbroker, but after he has an accident, she once again finds herself alone."
  • "Classique du nouveau cinéma italien présentant un regard désenchanté sur la société urbaine moderne et sur l'incapacité de sa classe bourgeoise à aimer, à communiquer ou à fonctionner de façon positive. Prix: Cannes 1962."
  • "Final part of Antonioni's triology about broken society and ruptured relationships."
  • "A young woman meets a vital young man, but the love affair is doomed because of his materialistic nature."
  • "Vittoria, a translator, breaks off one affair to drift into another affair with her mother's stockbroker."
  • "After breaking off with an older man, a young woman alone in Rome begins an affair with a young stockbroker. After an accident, she once again finds herself alone."
  • "Vittoria, a translator, breaks off one affair to drift into another with her mother's stockbroker."

director

editor

genre

http://schema.org/genre

  • "Feature films"
  • "Films"
  • "Drama"
  • "Motion pictures, Italian"
  • "New wave films"

musicBy

name

http://schema.org/name

  • "L'Eclisse The Eclipse"
  • "L'éclisse The eclipse"
  • "L'eclisse Eclipse"
  • "L'eclisse L'éclipse"
  • "L'Eclisse The eclipse"
  • "L'Eclisse Éclipse"
  • "Eclisse Eclipse"
  • "Eclisse (Motion picture)"
  • "L'eclisse L'@éclipse"
  • "L'eclisse The eclipse"@en
  • "L'eclisse The eclipse"

producer

workExample