The Charterhouse of Parma. Translated and with an introduction by Margaret R.B. Shaw
The story of Fabrizio del Dongo, an aristocrat who joins Napoleon's army just before the Battle of Waterloo, his beautiful aunt, the Duchess of Sanseverina, and her lover, Count Mosca.
"The story of Fabrizio del Dongo, an aristocrat who joins Napoleon's army just before the Battle of Waterloo, his beautiful aunt, the Duchess of Sanseverina, and her lover, Count Mosca."@en
"The story of Fabrizio del Dongo, an aristocrat who joins Napoleon's army just before the Battle of Waterloo, his beautiful aunt, the Duchess of Sanseverina, and her lover, Count Mosca."
"Headstrong and naive, the young Italian aristocrat Fabrizio del Dongo is determined to defy the wrath of his right-wing father and go to war to fight for Napoleon. He stumbles on the Battle of Waterloo, ill-prepared, yet filled with enthusiasm for war and glory. Finally heeding advice, Fabrizio sneaks back to Milan, only to become embroiled in a series of amorous exploits, fuelled by his impetuous nature and the political chicanery of his aunt Gina and her wily lover. The Charterhouse of Parma is a novel of extravagance and daring, blending the intrigues of the Italian court with the romance and excitement of youth."
"The Charterhouse of Parma (1839) is a compelling novel of passion and daring, of prisons and heroic escape, of political chicanery and sublime personal courage. Set at the beginning of the nineteenth century, amidst the golden landscapes of northern Italy, it traces the joyous but ill-starred amorous exploits of a handsome young aristocrat called Fabrice del Dongo, and of his incomparable aunt Gina, her suitor Prime Minister Mosca, and Clelia, a heroine of ethereal beauty and earthly passion. The great achievement of The Charterhouse of Parma is to conjure up the excitement and romance of youth while never losing sight of the harsh realities which beset the pursuit of happiness, nor the humour and patient irony with which these must be viewed. This new translation captures Stendhal's narrative verve, while the Introduction explores the novel's reception and the reasons for its enduring popularity and power."@en
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