Linked Data Explorerhttp://worldcat.org/entity/work/id/502993210
In our own time
Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Features experts Rosalind Krauss, Germano Cleant, and Clement Greenberg.
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http://schema.org/description
- "Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Features experts Rosalind Krauss, Germano Cleant, and Clement Greenberg."@en
- "Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Wharhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Features experts Rosalind Krauss, Germano Cleant, and Clement Greenberg."@en
- "Examines the various movements that emerged since World War II: abstract art, pop art, minimal art, post-modernism. Postulates that western art is in a state of crisis and disillusionment and speculates where art in the 21st century will take us."@en
- "Part I tells how the appearance of Abstract Expressionism established New York as a center for the visual arts with a diversity of style represented in works by Pollock, Warhol, and Lichtenstein. The sculpture of Oldenburg, erased the boundary between art and commerce with soup cans, comic books and a Swiss army knife. Part II examines the explosive internationalization of the art world in the 1970s and 1980s, and discusses minimalism, environmental art, earthworks, performance pieces and the recognition of works by women artists. Experts Rosalind Krauss, Germano Celant and Clement Greenberg discuss the future of Modern Art."@en
- "Magnificent masterpieces of the Western world are presented in their cultural and historical settings in this series. Each artistic movement is interpreted through its major paintings, sculptures, and works of architecture. Internationally known art experts and critics help the viewer not only appreciate each work, but understand why and how it was created. This program examines the abstract expressionist movement in New York which established the United States as a centre for the visual arts; also, works by European and American artists demonstrate the explosive internationalization of the art world in the 1970s and 80s."@en
- "Examines abstract expressionism and art since World War II. Discusses works of various artists including Jackson Pollack, Jasper Johns, Robert Rauschenberg, Andy Warhol, Claes Oldenburg, Joseph Beuys, and Yves Klein. Also discusses large-scale environmental works, such as James Turrell's reshaping of a huge volcanic cone in the Painted Desert of Arizona."
- "Examines abstract expressionism and art since World War II. Discusses works of various artists including Jackson Pollack, Jasper Johns, Robert Rauschenberg, Andy Warhol, Claes Oldenburg, Joseph Beuys, and Yves Klein. Also discusses large-scale environmental works, such as James Turrell's reshaping of a huge volcanic cone in the Painted Desert of Arizona."@en
- "Neuvième d'une série traitant de l'histoire de l'art occidental. L'expressionisme abstrait de New York établit les États-Unis comme centre des arts visuels. Les travaux des artistes européens et américains montrent l'internationalisme explosif du monde de l'art dans les années '70 et '80."
http://schema.org/name
- "In our own time"
- "In our own time"@en
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