In the mid 1930s, as the Great Depression refuses to lift, Benny Goodman finds himself hailed as the "King of Swing" and becomes the first white bandleader to hire black musicians. He has a host or rivals among them, Chick Webb, Tommy Dorsey, Jimmie Lunceford, Glenn Miller and Artie Shaw. Louis Armstrong heads a big band of his own, while Duke Ellington continues his independent course, but great black artists still can't eat or sleep in many of the hotels where they perform. Billie Holiday emerges from a childhood of tragedy to begin her career as the greatest of all female jazz singers.
"In the mid 1930s, as the Great Depression refuses to lift, Benny Goodman finds himself hailed as the "King of Swing" and becomes the first white bandleader to hire black musicians. He has a host or rivals among them, Chick Webb, Tommy Dorsey, Jimmie Lunceford, Glenn Miller and Artie Shaw. Louis Armstrong heads a big band of his own, while Duke Ellington continues his independent course, but great black artists still can't eat or sleep in many of the hotels where they perform. Billie Holiday emerges from a childhood of tragedy to begin her career as the greatest of all female jazz singers."@en
"Fifth of 10 episodes tracing the history of Jazz from its roots in the African-American community of New Orleans, this video is set in the mid 1930's. The Great Depression stubbornly refuses to lift and jazz comes as close as ever to being America's most popular music. Its new name is Swing, and Benny Goodman finds himself with a host of rivals, including Tommy Dorsey and Glen Miller. Billy Holiday emerges to begin her career as the greatest of all female jazz singers."
"In the mid 1930s, as the Great Depression refuses to lift, Benny Goodman finds himself hailed as the "King of Swing" and becomes the first white bandleader to hire black musicians. He has a host or rivals among them, Chick Webb, Tommy Dorsey, Jimmie Lunceford, Glen Miller and Artie Shaw. Louis Armstrong heads a big band of his own, while Duke Ellington continues his independent course, but great black artists still can't eat or sleep in many of the hotels where they perform. Billie Holiday emerges from a childhood of tragedy to begin her career as the greatest of all female jazz singers."
"In the mid 1930s, as the Great Depression refuses to lift, Benny Goodman finds himself hailed as the "King of Swing" and becomes the first white bandleader to hire black musicians. He has a host or rivals among them, Chick Webb, Tommy Dorsey, Jimmie Lunceford, Glen Miller and Artie Shaw. Louis Armstrong heads a big band of his own, while Duke Ellington continues his independent course, but great black artists still can't eat or sleep in many of the hotels where they perform. Billie Holiday emerges from a childhood of tragedy to begin her career as the greatest of all female jazz singers."@en
""Fifth of 10 episodes tracing the history of Jazz from its roots in the African-American community of New Orleans, this video is set in the mid 1930's. The Great Depression stubbornly refuses to lift and jazz comes as close as ever to being america's most popular music. Its new name is Swing, and Benny Goodman finds himself with a host of rivals, including Tommy Dorsey and Glen Miller. Billie Holiday emerges to begin her career as the greatest of all female jazz singers""
"10 episodes tracing the history of jazz from its roots in the African-American community of New Orleans to its heights and continuing presence."
"In the mid-1930s, white musicians start to make important advances in jazz, even conducting black orchestras."@en
"One of 10 episodes tracing the history of Jazz from its roots in the African-American community of New Orleans to its heights and continuing presence, this video features Benny Goodman, Billie Holiday, Chick Webb, and other artists."
"One of 10 episodes tracing the history of Jazz from its roots in the African-American community of New Orleans to its heights and continuing presence, this video features Benny Goodman, Billie Holiday, Chick Webb, and other artists."@en
""In the mid 1930s, as the Great Depression stubbornly refuses to lift, jazz comes as close as it has ever come to being America's popular music. It has a new name -- Swing -- and for the first time musicians become matinee idols. Benny Goodman finds himself hailed as the 'King of Swing,' but he has a host of rivals, among them Tommy Dorsey, Jimmie Lunceford, Glen Miller, and Artie Shaw. Louis Armstrong heads a big band of his own. Duke Ellington continues his own independent course. Billie Holiday emerges from a childhood filled with tragedy to make her first joyous recordings and begin her career as the greatest of all female jazz singers. Benny Goodman demonstrates that in a rigidly segregated country there is still room in jazz for great black and white musicians to play side by side onstage. The episode's finale takes place on May 11, 1937, when 4,000 people gather at the Savoy Ballroom in Harlem to witness what is billed as 'The Music Battle of the Century,' a showdown between Goodman and the indefatigable Chick Webb, a man who hates to lose." --from container."
"By the 1960s, rock and roll is the musical phenomena and jazz drifts into the avant-garde, often used as a form of social protest. Some jazz musicians like John Coltrane attempt to reach out to a wide audience, and Miles Davis leads a movement that incorporates elements of jazz, rock, and soul, a fusion of sound that has widespread appeal. By the mid-1980s, jazz finds a new voice with Wynton Marsalis and other young musicians who keep the excitement alive."
"In the mid 1930s, as the Great Depression refuses to lift, Benny Goodman finds himself hailed as the "King of Swing" and becomes the first white bandleader to hire black musicians. He has a host of rivals among them, Chick Webb, Tommy Dorsey, Jimmie Lunceford, Glen Miller and Artie Shaw. Louis Armstrong heads a big band of his own, while Duke Ellington continues his independent course, but great black artists still can't eat or sleep in many of the hotels where they perform. Billie Holiday emerges from a childhood of tragedy to begin her career as the greatest of all female jazz singers."
"In the mid 1930s, jazz comes as close as it has ever come to being America's popular music. It has a new name--Swing--and musicians become matinee idols. Artists discussed in this episode include Benny Goodman, Tommy Dorsey, Jimmie Lunceford, Glen Miller, Artie Shaw, Louis Armstrong, Billie Holiday, Duke Ellington, and Chick Webb."
"Documentaire. Présentation de l'histoire du Jazz aux États-Unis. Cinquième partie d'un ensemble de dix documents. (1935 - 1937). Des musiciens tels que Benny Goodman, Tommy Dorsey, Glenn Miller ou Artie Shaw deviennent des idoles et Billie Holiday émerge d'une enfance tragique pour devenir la plus grande femme chanteuse de jazz."
"(1935 to 1937) The depression continues, and jazz becomes America's popular music. Despite continued segregation in American society, Benny Goodman becomes the first white bandleader to hire black musicians. Swing bands become the rage, with Tommy Dorsey, Jimmy Lunceford, Glenn Miller, and Artie Shaw leading some of the most popular. Many jazz fans are disturbed by the popularity of swing and begin a revival of "traditional" jazz."@en
""In the mid 1930s, as the Great Depression refuses to lift, Benny Goodman finds himself hailed as the "King of Swing" and becomes the first white bandleader to hire black musicians. He has a host of rivals among them, Chick Webb, Tommy Dorsey, Jimmie Lunceford, Glen Miller and Artie Shaw. Louis Armstrong heads a big band of his own, while Duke Ellington continues his independent course, but great black artists still can't eat or sleep in many of the hotels where they perform. Billie Holiday emerges from a childhood of tragedy to begin her career as the greatest of all female jazz singers.""
"Traces the origins and history of jazz, focusing on the individual musicians who helped shape its development."@en
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WETA-TV (Station de télévision : Washington, D.C.)
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African American musicians United States Biography.
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Crisis económica 1929 Estados Unidos Historia Canciones y música.
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Depressions 1929 United States History Songs and music.
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Orchestre de danse, Musique d' Histoire et critique.
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