"Isŭt'ŭ P'illim." . . "이스트필름." . "이스트 필름." . "이스트필림" . "Sindo P'illim." . . "신도필름." . "신도필림." . "Feature films." . . "UniKorea." . . "Man-woman relationships." . . "Drames (cinéma)" . . "Korea (South)" . . "Asian financial crisis" . . "Cinéma Corée du sud." . . "Midiŏ Hŏbŭ." . . "미디어허브." . "Adultery" . . "Sŭpʻektʻŭrŏm Dibŭidi chu." . . . . . . . . . . "Peppermint candy" . . "Fiction films" . . "박하사탕 Peppermint candy" . . "Presented in flashbacks, tells the story of Yeong-ho who was ruined by bad stock deals, terrorized by loan sharks and dumped by his adulterous wife. He is a typical victim of the Asian financial meltdown. Yeong-ho pays his dying ex-girlfriend a visit at the hospital and, though she is unconscious, leaves her the same peppermint candy that she used to send him." . "History" . . "박하 사탕 = Peppermint candy" . . . . "Peppermint candy = Bakha satang" . . . "Yong Ho, a problematic guy, is walking alone at the riverside. He suddenly bumped with his friend's reunion. He join them and after that go to the railway to commit suicide.Then, the train reverse back to show why he become like that from the beginning. Covers five phase of his life. -- Imdb." . . "박하　사탕 Peppermint candy" . . "Pakha sat'ang = Peppermint candy" . . . . . . . . . . . "박하 사탕 Peppermint candy" . . . "Bakha satang" . "This work dipicts the reality of life that can not be reversed so that we are longing for our beautiful past more through Yŏng-ho's life. The distinctive technique of this movie is to show Yŏng-ho's troublesome life retroactively." . . . . "A soul-searching backpedal through 20 years of a man's life, reflecting the changes that have wrought Korean society over that period." . . . . . . . "Pakha sat'ang Peppermint candy" . . "Peppermint candy" . "Par un bel après-midi de printemps, quelques amis pique-niquent pour célébrer leurs retrouvailles. Un invité inattendu dont ils étaient sans nouvelles depuis des années, fait alors son apparition. Mais celui-ci se comporte de manière totalement étrange et paraît complètement déphasé. Il fuit le groupe et se dirige vers les rails situés sur un pont adjacent, un train arrive Yongho ne bouge pas... sa vie relatée en flash-back va nous permettre de comprendre les raisons de son geste." . . . . . . "In the spring of 1999 a distraught and incoherent middle-aged man, Kim Yong-ho, dressed in a tailored business suit, lies along the side of a railroad bridge that overlooks an open field by a lake. Nearby, a loose knit group of friends called the Bong-woo Club, which formed 20 years earlier at the same site during a social gathering of factory employees, are holding their reunion. Yong-ho stumbles into the picnic and is immediately recognized by members of the group as a fellow factory worker. Unable to disconnect himself from his desperate, unarticulated anguish and join in the amusement of his former colleagues, the inconsolable Yong-ho climbs to the railroad tracks and throws himself in front of a passing train, shouting \"I am going back.\" The film then proceeds in reverse chronology through the past 20 years of Yong-ho's life -- from his family's estrangement, financial bankruptcy, traumatic law enforcement career during the 1987 student demonstrations for democratic reform, military service during the crackdown of martial law protestors that led to the tragedy of the 1980 Kwangju massacre, and the loss of his first love, Sun-Nim." . . "Drama" . "In the spring of 1999 a distraught and incoherent middle-aged man, Kim Yong-ho, dressed in a tailored business suit, lies along the side of a railroad bridge that overlooks an open field by a lake. Nearby, a loose knit group of friends called the Bong-woo Club, which formed 20 years earlier at the same site during a social gathering of factory employees, are holding their reunion. Yong-ho stumbles into the picnic and is immediately recognized by members of the group as a fellow factory worker. Unable to disconnect himself from his desperate, unarticulated anguish and join in the amusement of his former colleagues, the inconsolable Yong-ho climbs to the railroad tracks and throws himself in front of a passing train, shouting \"I am going back.\" The film then proceeds in reverse chronology through the past 20 years of Yong-ho's life -- from his family's estrangement, financial bankruptcy, traumatic law enforcement career during the 1987 student demonstrations for democratic reform, military service during the crackdown on martial law protestors that led to the tragedy of the 1980 Kwangju massacre, and the loss of his first love, Sun-Nim." . . . . . . . . . . . . . "Peppermint Candy Bakha satang" . . . . . . . . . . . . . . "Ethnic" . . . "Feature films" . . . . . "Pakha sat'ang" . "박하사탕" . . . . . . . . . . . . . "Suicide victims Korea (South) Drama." . . "Content Zone (Firm)" . . "Midlife crisis Korea (South) Drama." . . "Contemporary history" . . "Alto Media." . . "1900 - 1999" . . "Midlife crisis Drama." . . "Student demonstrations in the 1980s" . . "Feature films Korea (South)" . . "Foreign films." . . "Isŭt'ŭ P'illŭm." . . "이스트필름." . "이스트　필름." . . . "Sindo P'illŭm." . . "신도필름." . "Man-woman relationships Korea (South) Drama." . . "Midlife crisis Korea (South)" . . "East Film (Firm)" . . "Motion pictures, Korean." . . "Midlife crisis." . . "Midlife crisis" .