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Lola Montés

Tells the story of Lola Montez, the notorious nineteenth-century courtesan and mistress of King Ludwig I of Bavaria, who eventually became a performer in an American circus.

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  • "Lola Montes <videoregistrazione&gt"@it
  • "The sins of Lola Montes"
  • "Sins of Lola Montes"
  • "NRC Handelsblad Filmselectie. Franse Cinema"
  • "Lola Montès"
  • "Lola Montés"@it
  • "Lola Montez"

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  • "The precarious life of a courtesan is revealed in a series of flashbacks."
  • "Tells the story of Lola Montez, the notorious nineteenth-century courtesan and mistress of King Ludwig I of Bavaria, who eventually became a performer in an American circus."@en
  • "Sous le chapiteau d'un cirque américain, Lola Montès, la femme scandaleuse, revit son passé tumultueux et, de capitales en capitales, ses amours avec les grands. Film testament de Ophuls et consécration de Martine Carol."
  • "Fiction. Drame. Sous un chapiteau géant, un écuyer présente Lola Montès, comtesse Maria Dolorès de Lansfeld. Il présente sa vie extraordinaire par des pantomimes, des acrobaties, des tableaux vivants avec danse et musique en arrière plan. Lola revit son passé en répondant aux questions du public. Elle revoie son refus d'épouser le vieillard que sa mère lui destine, sa fuite avec le lieutenant Thomas James qu'elle épouse puis, devenu brutal et ivrogne, qu'elle quitte, sa carrière de danseuse et ses voyages dans le monde entier où elle collectionne les amants célèbres. Avec Martine Carol, Peter Ustinov, Anton Walbrook."
  • "Depicts, through flashbacks, the life of a famous courtesan, recounted as part of a lavish circus act. The ringmaster introduces and displays Lola Montés who recalls her romances with Franz Liszt, a student, and Ludwig, King of Bavaria before she was reduced by scandal, poverty and ill fortune to her present life as a circus performer."@en
  • "Depicts, through flashbacks, the life of a famous courtesan, recounted as part of a lavish circus act. The ringmaster introduces and displays Lola Montés who recalls her romances with Franz Liszt, a student, and Ludwig, King of Bavaria before she was reduced by scandal, poverty and ill fortune to her present life as a circus performer."
  • ""A partir de las preguntas de un publico ávido de respuestas sensacionalistas, se reconstruye en un circo la historia de su máxima estrella, la bailarina y trapecista Lola Montes: sus amorios con el músico Franz Liszt, su frustrado matrimonio con un militar mujeriego, su relacion con el rey Luis de Baviera, que termino causando una rebelion popular.., sus muchos escándalos en toda Europa, hasta su decadencia. Ella que tuvo a los pies a los hombres más importantes, termina cobrando veinticinco centavos por responder a las preguntas del público y un dolar por dejarse besar la mano."--Envase."
  • "Le cirque Mammouth, qui vient de planter son chapiteau à la Nouvelle-Orléans, présente une attraction bien particulière : Maria Dolorès Porriz y Montez, comtesse de Lansfeld dite Lola Montès. Présenté par un écuyer en uniforme, le spectacle retrace les principaux épisodes de la vie tumultueuse de celle qui fit tourner tant de têtes."
  • "Martine Carol plays Lola, the woman with many lovers. Director Max Ophuls orchestrates dazzling scenes with a luminous mobile canvas on which is painted the fleeting vanities of the human animal."@en
  • "Depicts, through flashbacks, the life of a famous courtesan, recounted as part of a lavish circus act."
  • "A down-and-out courtesan is reduced to a sideshow act at a sleazy circus, endlessly retelling her life story to titillate audiences."
  • ""Al final de su carrera como bailarina y con una amplia colección de poderosos amantes a sus espaldas, Lola Montes actúa en un circo donde se escenifican sus relaciones con los hombres. Con su salud debilitada, la mujer que escandalizó a Europa vive con frialdad el diario espectáculo de su existencia, sometiéndose a las preguntas del público que paga por ello.""
  • "A kaleidoscopic impression in flashback of the career of the famous courtesan, her unhappy marriage, her affairs with Liszt, Ludwig of Bavaria and a young student. DVD."
  • "Set in 19th century Vienna, this drama concerns a young woman who, fleeing scandal, seeks refuge by joinng an American circus and becoming a courtesan, only to be further humiliated by a sadistic ringmaster. He incorporates her into his act by inviting the audience to ask her questions, no matter how personal. Through flashbacks, her life is retold. Noted for its fluid, graceful tracking shots."
  • "Sous un chapiteau géant, un écuyer présente Lola Montès, comtesse Maria Dolorès de Lansfeld. Il présente sa vie extraordinaire par des pantomimes, des acrobaties, des tableaux vivants avec danse et musique en arrière plan. Lola revit son passé en répondant aux questions du public. Elle revoie son refus d'épouser le vieillard que sa mère lui destine, sa fuite avec le lieutenant Thomas James qu'elle épouse puis, devenu brutal et ivrogne, qu'elle quitte, sa carrière de danseuse et ses voyages dans le monde entier où elle collectionne les amants célèbres. Avec Martine Carol, Peter Ustinov, Anton Walbrook."
  • "Réduite à la déchéance, la scandaleuse Lola Montès est contrainte de donner en représentation sa fabuleuse destinée sous le chapiteau d'un cirque gigantesque."
  • ""The Cahiers du cinéma critics were almost alone in championing Max Ophuls's commercially disastrous last film. Time has validated them. Ophuls did some of their critical work for them in this self-reflexive film in which narrative is first de- and then beautifully reconstructed. The film recounts in flashbacks the life of the courtesan Lola Montez (Martine Carol), who ended her days as a circus attraction in a series of gaudy tableaux depicting her scandalous life. Peter Ustinov, extraordinary in the role of the ringmaster, invites the audience to ask 'the most indelicate questions' of this 'monster of cruelty with the eyes of an angel.' She is the cinema's femme fatale come full circle; she is the artist himself, who similarly laid himself open with this film. The flashback also is stripped of contrivance: it becomes pure emotion, the past of a woman who has no present. This is further distilled in the wild colors and sets through which the camera roams, free of any allegiance to narrative space"--Judy Bloch. Pacific Film Archive program note."
  • "Lola Montes fue una gran mujer, amante de muchos hombres importantes. Ahora Lola se ha convertido en la atracción de un circo de Nueva Orleáns, donde un maestro de ceremonias narra su vida al público mientras ella realiza un pequeño número acrobático."@es
  • "Depicts, through flashbacks, the life of a famous cabaret dancer, recounted as part of a lavish circus act. The ringmaster introduces and displays Lola Montès who recalls her romances with Franz Liszt, a student, and Ludwig, King of Bavaria before she was reduced by scandal, poverty and ill fortune to her present life as a circus performer."
  • "Ascesa e caduta di Lola Montes, celebre ballerina e cortigiana del secolo scorso che destò scandalo in mezza Europa facendo innamorare di sè Liszt e Luigi I di Baviera e che concluse la sua fastosa carriera come attrazione di un circo americano, dove l'impresario la esibisce come un mostro di dissolutezza a cui il pubblico può fare domande e baciare la mano per un dollaro."@it
  • "A kaleidoscope impression of the career of the famous courtesan, her unhappy marriage, her affairs with Liszt, Ludwig of Bavaria and a young student."@en
  • "Lola Montes, the one time mistress of composer Franz Liszt and the King of Bavaria is the star of a travelling circus as she tells the audiences the private details of her life. Flashbacks reveal the precarious life of a courtesan."
  • "Réduite à la décheance, la scandaleuse Lola Montès est contrainte de donne en représentation sa fabuleuse destinée sous le chapiteau d'un cirque gigantesque."
  • "Het levensverhaal van de Ierse danseres Lola Montez (1818-1861), die vooral bekend werd als maîtresse van koning Lodewijk I van Beieren, maar eindigde als circusattractie."
  • "A kaleidoscopic impression in flashback of the career of the famous courtesan, her unhappy marriage, her affairs with Liszt, Ludwig of Bavaria and a young student. It is the most elaborate expression of the theme of circularity in Ophuls' work. This theme is cinematically epitomised by the choreographed camerawork in long takes especially in the enclosing circus scenes."
  • "Lola Montès is a visually ravishing, narratively daring dramatization of the life of the notorious courtesan and showgirl, played by Martine Carol. With his customary cinematographic flourish and, for the first time, vibrant color, Max Ophuls charts the course of Montès's scandalous past through the invocations of the bombastic ringmaster (Peter Ustinov) of the American circus where she has ended up performing. Ophuls's final film, Lola Montès is at once a magnificent romantic melodrama, a meditation on the lurid fascination with celebrity, and a one-of-a-kind movie spectacle."
  • "A kaleidoscopic impression in flashback of the career of the famous courtesan, her unhappy marriage, her affairs with Liszt, Ludwig of Bavaria and a young student."
  • "A young showgirl has affairs with kings while she travels the world and tries to fit in with society."
  • "Ascesa e caduta di Lola Montes, celebre ballerina e cortigiana dell'Ottocento che destò scandalo in mezza Europa facendo innamorare Liszt e Luigi II di Baviera. Concluse la sua fastosa carriera come attrazione in un circo americano dove l'impresario la esibisce come un mostro di dissolutezza che il pubblico può baciare per un dollaro."@it
  • "The life of a young woman who was a showgirl, had affairs with kings, became a courtesan, and traveled the world trying to fit in. Charts the course of Montès's scandalous past through the invocations of the bombastic ringmaster of the American circus where she has ended up performing."
  • "Portrays the life of the notorious courtesand showgirlirl, Lola Montès through the ringmaster of the American circus whose troupe Lola is a member of."
  • "A partir de las preguntas de un publico avido de respuestas sensacionalistas, se reconstruye en un circo la historia de su maxima estrella, la bailarina y trapecista Lola Montes: sus amorios con el musico Franz Liszt, su frustrado matrimonio con un militar mujeriego, su relacion con el rey Luis de Baviera, que termino causando rebelion popular."@es

http://schema.org/genre

  • "Historical re-creations"
  • "French films"
  • "Melodramas (Motion pictures)"
  • "Biographies"
  • "Videodiscos DVD"@es
  • "Comedia"@es
  • "Romance films"
  • "Feature"
  • "DVD-Video discs"@en
  • "DVD-Video discs"
  • "German films"
  • "fiction dramatique (fiction)"
  • "Feature films"@en
  • "Feature films"
  • "Film adaptations"@en
  • "Film adaptations"
  • "Biography"
  • "Fiction films"
  • "DVD-Video"
  • "Adaptation"
  • "Drama"
  • "Drama"@en
  • "Features"
  • "Biographical"
  • "Adaptations"
  • "Drames (cinéma)"
  • "Drames"
  • "Film and video adaptations"
  • "Biographical films"
  • "Biographical films"@en
  • "Historical films"
  • "Historical films"@en
  • "Drama cinematográfico"@es

http://schema.org/name

  • "Lola Montès (Pel·lícula cinematogràfica)"
  • "Lola Montés"@en
  • "Lola Montés"@it
  • "Lola Montés"
  • "Lola Montès (Film)"
  • "Lola montes"@es
  • "Lola Montez nach einem Roman von Cecil Saint Laurent"
  • "Lola Montès (Motion picture)"
  • "Lola Montès : [France-Allemagne, 1955]"
  • "Lola Montès"
  • "Lola Montès"@es
  • "Lola Montès"@it
  • "Lola Montès"@en
  • "Lola Montez"
  • "Lola Montes"@en
  • "Lola Montes"
  • "Lola Montes"@es
  • "Lola Montes"@it
  • "Lola Montès (Pel.lícula cinematogràfica)"
  • "LOLA MONTEZ ; Regie: Max Ophüls. Mit Martine Carol, Oskar Werner, Peter Ustinov, Adolf Wohlbrück, Will Quadflieg, u.a. Musik: Georges Auric"
  • "Lola Montès (film)"

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