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The Oxford companion to music

A comprehensive single-volume reference to the Western musical tradition. Hundreds of entries explore all aspects of music theory, performance practice, composers, artists, instruments, notation, and more. Annotation. First published in 1938, The Oxford Companion to Music has been the first choice for authoritative information on all aspects of music. Now, 17 years since the last edition, the Companion is here to serve a new generation of students, teachers, performers, concert goers, record collectors, and music lovers.Completely revised and updated by a distinguished team of contributors, the Oxford Companion to Music features more than 1,000 new entries than the previous edition; more than 70 percent of the entire text is either new or entirely rewritten. Here, in articles that range from clear, concise definitions of musical ideas and terms to extended surveys of musical forms and styles, is authoritative coverage of virtually every musical subject. Embracing the world of music in all its variety--including jazz, popular music, and dance--the Companion offers a concentrated focus on the Western classic tradition, from the Middle Ages to the present day. More than 8,000 articles sweep across an extraordinary range of subjects: composers, performers, conductors, individual works, instruments and notation, forms and genres. From the study of music--theory, aesthetics, scholarship--to the way it is performed and disseminated, the Companion provides comprehensive, accessible coverage of music in all its artistic, historical, cultural, and social dimensions.Comprehensive, authoritative, up-to-date, and designed throughout for clarity and accessibility, the new Oxford Companion to Music, like every edition before it, will immediately become an indispensable resource for all who wish to enrich their love and knowledge of music.

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  • "Music"
  • "Companion to music"
  • "Companion to music"@en

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description

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  • "A comprehensive single-volume reference to the Western musical tradition. Hundreds of entries explore all aspects of music theory, performance practice, composers, artists, instruments, notation, and more. Annotation. First published in 1938, The Oxford Companion to Music has been the first choice for authoritative information on all aspects of music. Now, 17 years since the last edition, the Companion is here to serve a new generation of students, teachers, performers, concert goers, record collectors, and music lovers.Completely revised and updated by a distinguished team of contributors, the Oxford Companion to Music features more than 1,000 new entries than the previous edition; more than 70 percent of the entire text is either new or entirely rewritten. Here, in articles that range from clear, concise definitions of musical ideas and terms to extended surveys of musical forms and styles, is authoritative coverage of virtually every musical subject. Embracing the world of music in all its variety--including jazz, popular music, and dance--the Companion offers a concentrated focus on the Western classic tradition, from the Middle Ages to the present day. More than 8,000 articles sweep across an extraordinary range of subjects: composers, performers, conductors, individual works, instruments and notation, forms and genres. From the study of music--theory, aesthetics, scholarship--to the way it is performed and disseminated, the Companion provides comprehensive, accessible coverage of music in all its artistic, historical, cultural, and social dimensions.Comprehensive, authoritative, up-to-date, and designed throughout for clarity and accessibility, the new Oxford Companion to Music, like every edition before it, will immediately become an indispensable resource for all who wish to enrich their love and knowledge of music."
  • "A comprehensive single-volume reference to the Western musical tradition. Hundreds of entries explore all aspects of music theory, performance practice, composers, artists, instruments, notation, and more. Annotation. First published in 1938, The Oxford Companion to Music has been the first choice for authoritative information on all aspects of music. Now, 17 years since the last edition, the Companion is here to serve a new generation of students, teachers, performers, concert goers, record collectors, and music lovers.Completely revised and updated by a distinguished team of contributors, the Oxford Companion to Music features more than 1,000 new entries than the previous edition; more than 70 percent of the entire text is either new or entirely rewritten. Here, in articles that range from clear, concise definitions of musical ideas and terms to extended surveys of musical forms and styles, is authoritative coverage of virtually every musical subject. Embracing the world of music in all its variety--including jazz, popular music, and dance--the Companion offers a concentrated focus on the Western classic tradition, from the Middle Ages to the present day. More than 8,000 articles sweep across an extraordinary range of subjects: composers, performers, conductors, individual works, instruments and notation, forms and genres. From the study of music--theory, aesthetics, scholarship--to the way it is performed and disseminated, the Companion provides comprehensive, accessible coverage of music in all its artistic, historical, cultural, and social dimensions.Comprehensive, authoritative, up-to-date, and designed throughout for clarity and accessibility, the new Oxford Companion to Music, like every edition before it, will immediately become an indispensable resource for all who wish to enrich their love and knowledge of music."@en
  • ""This new online-only edition of The Oxford Companion to Music is a partial revision that focuses on living composers and their music, and adds some terms, works, and cross-references to the original text. Bibliographies have also been substantially revised and updated. This classic reference work includes articles that range from clear, concise definitions of musical ideas and terms to extended surveys of musical forms and styles, with specialist coverage of virtually every musical subject. It places music in its social and cultural context, with a range of new entries on topics such as politics, religion, psychology, and computers. The book covers current research in and approaches to music, including analysis, theory, ethnomusicology, and performance practice. All varieties of musical forms are covered, including jazz, popular music, and dance.""@en
  • ""This new edition of the classic reference work includes articles that range from clear, concise definitions of musical ideas and terms to extended surveys of musical forms and styles, with specialist coverage of virtually every musical subject. It places music in its social and cultural context, with a range of new entries on topics such as politics, religion, psychology, and computers. The book covers current research in and approaches to music, including analysis, theory, ethnomusicology, and performance practice. All varieties of musical forms are convered, including jazz, popular music, and dance""@en
  • "This work replaces both the single-volume Oxford Companion to Music first published in 1938, and the subsequent two-volume New Oxford Companion to Music, published in 1983."
  • "This online version of a new ed. includes articles that range from definitions of musical ideas and terms to surveys of musical forms and styles, with specialist coverage of extensive musical subjects. It places music in its social and cultural context, with a range of new entries on topics such as politics, religion, psychology, and computers. The book covers current research in and approaches to music, including analysis, theory, ethnomusicology, and performance practice. All varieties of musical forms are convered, including jazz, popular music, and dance."@en
  • "This online version of a new ed. includes articles that range from definitions of musical ideas and terms to surveys of musical forms and styles, with specialist coverage of extensive musical subjects. It places music in its social and cultural context, with a range of new entries on topics such as politics, religion, psychology, and computers. The book covers current research in and approaches to music, including analysis, theory, ethnomusicology, and performance practice. All varieties of musical forms are convered, including jazz, popular music, and dance."
  • "A comprehensive single-volume reference to the Western musical tradition. Hundreds of entries explore all aspects of music theory, performance practice, composers, artists, instruments, notation, and more. Annotation. First published in 1938, The Oxford Companion to Music has been the first choice for authoritative information on all aspects of music. Now, 17 years since the last edition, the Companion is here to serve a new generation of students, teachers, performers, concert goers, record collectors, and music lovers. Completely revised and updated by a distinguished team of contributors, the Oxford Companion to Music features more than 1,000 new entries than the previous edition; more than 70 percent of the entire text is either new or entirely rewritten. Here, in articles that range from clear, concise definitions of musical ideas and terms to extended surveys of musical forms and styles, is authoritative coverage of virtually every musical subject. Embracing the world of music in all its variety--including jazz, popular music, and dance--the Companion offers a concentrated focus on the Western classic tradition, from the Middle Ages to the present day. More than 8,000 articles sweep across an extraordinary range of subjects: composers, performers, conductors, individual works, instruments and notation, forms and genres. From the study of music--theory, aesthetics, scholarship--to the way it is performed and disseminated, the Companion provides comprehensive, accessible coverage of music in all its artistic, historical, cultural, and social dimensions. Comprehensive, authoritative, up-to-date, and designed throughout for clarity and accessibility, the new Oxford Companion to Music, like every edition before it, will immediately become an indispensable resource for all who wish to enrich their love and knowledge of music."

editor

genre

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  • "Texte intégral"@en
  • "Diccionaris electrònics"
  • "Encyclopedias"@en
  • "Encyclopedias"
  • "Bio-bibliography"@en
  • "Bio-bibliography"
  • "Encyclopedieën (vorm)"
  • "Encyclopedieën (vorm)"@en
  • "Online encyclopedias"
  • "Llibres electrònics"
  • "Dictionaries"@en
  • "Dictionaries"
  • "håndbøger"
  • "Electronic books"@en
  • "Electronic books"
  • "Ressource internet"@en
  • "Wörterbuch"
  • "Diccionaris"
  • "Bibliografies"

name

http://schema.org/name

  • "The Oxford companion to Music"
  • "The Oxford companion to music"
  • "The Oxford companion to music"@en
  • "The Oxford Companion to Music"
  • "Oxford Companion to Music"

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