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http://worldcat.org/entity/work/id/510214841

One flat thing reproduced

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alternateName

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  • "One flat thing, reproduced"

author

contributor

creator

description

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  • "'One Flat Thing' is a play for 14 dancers and 20 tables on the music of Thom Willems. Unanimously acclaimed by the press, this work of a strong theatrical intensity oscillates between disorder and [symmetry]. This very powerful creation gives rise today to a new work 'One Flat Thing Reproduced'. Realised by Thierry de Mey - one of the most important directors of dance films - designed this film as a full work. The theatrical disposition was studied especially for the shooting, permitting three cameras to shoot the action from different points of view. He catches chore[o]graphic principles [developed] by Forsythe. The way he films, touched by the looks and the exchanges between the dancers, permits to have clear the complexity of creation. Thus, appear very evidently : the aesthetical beauty of shapes, the intensity of the movements and also the human side, thanks to the exchanges of looks. This new experience offers to the audience the possibility of receiving this creation in a completely different way, outside of a theatre."
  • "Ballet filmé de William Forsythe, l'un des grands chorégraphes contemporains, directeur artistique du Ballet de Francfort durant 20 ans... Son oeuvre est intégrée au répertoire des plus grands théâtres du monde... Cette captation permet d'appréhender le ballet ailleurs que dans un théâtre..."
  • ""'One Flat Thing' is a play for 14 dancers and 20 tables on the music of Thom Willems. Unanimously acclaimed by the press, this work of a strong theatrical intensity oscillates between disorder and [symmetry]. This very powerful creation gives rise today to a new work 'One Flat Thing Reproduced'. Realised by Thierry de Mey - one of the most important directors of dance films - designed this film as a full work. The theatrical disposition was studied especially for the shooting, permitting three cameras to shoot the action from different points of view. He catches chore[o]graphic principles [developed] by Forsythe. The way he films, touched by the looks and the exchanges between the dancers, permits to have clear the complexity of creation. Thus, appear very evidently : the aesthetical beauty of shapes, the intensity of the movements and also the human side, thanks to the exchanges of looks. This new experience offers to the audience the possibility of receiving this creation in a completely different way, outside of a theatre."--mk2.com."
  • "Dans la création originale "One flat thing, reproduced", vingt tables couvrent la scène : elles deviennent surface et horizon des danseurs. Leurs corps sont tronqués et ces fragments mouvants et élastiques ébauchent une danse désarticulés dans l'espace composé."

director

editor

genre

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  • "création"
  • "Interviews"

musicBy

name

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  • "One flat thing reproduced"
  • "One Flat Thing, reproduced"
  • "One flat thing, reproduced"

performer

workExample