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"Ferdinand, who views life through the abstractions of intellect, is beguiled by Marianne, who loves the tangible things of life, and together they embark on a crazy adventure set on the French Riviera."
"Ferdinand, qui vient de perdre son travail, renoue avec une jeune étudiante, Marianne, qu'il a jadis aimée. Ils décident de partir ensemble mais celle-ci lui déclare qu'il faut d'abord se débarrasser d'un cadavre qui se trouve dans la pièce voisine..."
"A man runs off with the babysitter, and gets involved in murder and gunrunning."
""Ferdinand renoue des relations avec Marianne, une jeune étudiante qu'il a jadis aimée. Et le voilà embarqué dans une histoire de fou: un cadavre dont il faut se débarrasser, des bandes rivales, un hold-up. Une sorte de série noire absurde qui l'entraîne inéluctablement vers la mort..."
"Centres on the introspective Pierrot who tries to find some meaning in his life through a relationship with Marianne. He journeys from Paris to the south, a journey reflected in the making of the film by the transition from structured, pre-conceived plot to semi-improvised filming and a sense of immediacy. In many ways it is a watershed film in which Godard calls his whole work in the cinemas into question. It is also a summation of his work to this time, an unclassifiable film of disorientatingly abrupt changes of mood combining the diary form with pulp fiction and romantic tragedy, experimentation in narration with filmed essay all heavily laden with cultural and political references."
""Fernand takes to the road with Marianne in Godard's tragic tale of a romantic couple fleeing Paris for the South of France." [container]."
"Part love story, part gangster thriller, Pierrot Le Fou combines romance, adventure, and violence with allusions to art, literature, and cinema to create a colorful French version of the Bonnie and Clyde story."
"This extract begins with Ferdinand and Marianne in their Paris apartment. He has left his wife and Marianne is involved with gangs, guns and death ('her gangster movie'). They head south to see Marianne's brother. The extract ends as they steal a car, having ditched their own vehicle. This extract illustrates the way Godard countered and questioned the conventions of fictional cinema especially through the interruption to narrative sequence and the breaking up of the coherence of fictional space."
"Leaving his wife and child behind, Ferdinand takes off on a wild adventure with the babysitter Marianne. Becoming entangled with murder and gangsters, mysterious events lead them inexorably to an explosive finale."
"Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run."
"Leaving wife and child behind, Ferdinand (Jean-Paul Belmondo) takes off on a wild adventure with the babysitter Marianne (Anna Karina). As they become entangled with murder and gangsters, mysterious events destroy their happiness and lead to an explosive finale."
"Centres on the introspective Pierrot who tries to find some meaning in his life through a relationship with Marianne. He journeys from Paris to the south, a journey reflected in the making of the film by the transition from structured, pre-conceived plot to semi-improvised filming and a sense of immediacy. In many ways it is a watershed film in which Godard calls his whole work in the cinema into question. It is also a summation of his work to this time, an unclassifiable film of disorientingly abrupt changes of mood combining the diary form with pulp fiction and romantic tragedy, experimentation in narration with filmed essay all heavily laden with cultural and political references."
"A married man leaves his family for a woman involved with gangsters."
"Godard's film combines romance, adventure and violence with allusions to art, literature, cinema and global events, to create a colorful version of the Bonnie and Clyde story. Abandoning wife and child, Ferdinand takes off on a wild adventure with the babysitter, Marianne. Muder complicates their romantic life leading them to the Riviera in search of Marianne's gun-running brother."
"Lui a quitté sa femme, elle cherche à échapper à des gangsters... Un héros amoral et dérivant, montage heurté, faux raccords... Un nouveau cinéma est né..."
"Offbeat, influential road story about a man and woman on the lam in southern France."
"Leaving his wife, children and their boring life behind, Ferdinand takes off on a wild crime spree with the babysitter Marianne."
"In this extract Ferdinand and Marianne are at their idyllic country retreat in the south of France. Marianne is bored and restless and wants to get back to her 'gangster movie'. They put on a show about the Vietnam War for American tourists at the quayside. After a brief lyrical interlude Ferdinand gives a despairing soliloquy to the camera. This extract illustrates the way Godard countered and questioned the conventions of fictional cinema especially through the interruption to narrative sequence and the breaking up of the coherence of fictional space."
"Bored by his marriage, a Frenchman leaves his wife at a party and takes off with an old flame, now involved in gun-running and crime. [Halliwell's]."
"Jean-Paul Belmondo, a man on the run, encounters a captivating woman, Marianne (Godard's then-wife, Anna Karina). Striking up an immediate connection, the two begin a freewheeling affair that leads them to the Mediterranean Sea. There's one slight problem, though. Marianne is being pursued by a group of bloodthirsty mobsters who have chased her out of Algeria. Making matters worse for Ferdinand is the unfortunate fact that she turns out to be as much of a headache as his wife was, constantly referring to him as "Pierrot," much to his disdain. As their relationship reaches its boiling point, the hit men arrive, threatening to terminate both their relationship and their lives."
""One of Jean-Luc Godard's most reknowned films, and a sort-of follow up to A bout de souffle, in which Ferdinand (Jean-Paul Belmondo) leaves his wife and child and runs off with the babysitter Marianne (Anna Karina). The pair head south to find Marianne's brother, getting by on crime along the way as they head towards destruction. Memorable for Raoul Coutard's lush photography, the film offers a spontaneous musical sequence under the pine trees, elements of the gangster genre and a tragic account of the transience of love, as Godard also addresses the nature of the film medium itself.""
"Dissatisfied in marriage and life, Ferdinand takes to the road with the babysitter, his ex-lover Marianne Renoir, and leaves the bourgeoisie behind."
"Comédie dramatique du roman "Le démon d'onze heures" de Lionel White. Un homme quitte sa femme et son enfant pour suivre une jeune terroriste sur la Côte d'Azur. Avec Jean-Paul Belmondo, Anna Karina, Dirk Sanders, Samuel Fuller, Raymond Devos."
"After attending a mindless party full of shallow chatter, Ferdinand (Jean-Paul Belmondo) feels his mundane world is closing in on him. Desperately wanting to escape, he finds himself in the arms of another woman. Unaware that Marianna's (Anna Karina) dark past still haunts her, they take off for the picturesque south of France. What proceeds is a roller coaster ride filled with passion, desperation and regret as these two lovers meet their final fate."
"Pour Ferdinand l'histoire de fou commence le jour où il décide de partir avec Marianne qu'il a jadis aimée. Un cadavre, une mystérieuse bande rivale, un frère qui n'en est pas un, une voiture qui flambe, un coffre rempli de billets de banque, un nain qui kidnappe Marianne, une île déserte. Ferdinand a bien du mal à démêler le vrai du faux dans tous ces événements. Il comprendra un peu tard qu'il a été le dindon d'une farce meurtrière. Et sa réponse sera terriblement explosive."
""After attending a mindless party full of shallow chatter, Ferdinand (Jean-Paul Belmondo) feels his mundane world is closing in on him. Desperately wanting to escape, he finds himself in the arms of another woman. Unaware that Marianna's (Anna Karina) dark past still haunts her, they take off for the picturesque south of France. What proceeds is a roller coaster ride filled with passion, desperation and regret as these two lovers meet their final fate"--Container."
"Una historia al límite, protagonizada por un hombre que huye con la niñera a la que ha contratado su esposa."
"SUMMARY: "Pierro escapes his boring society and travels from Paris to the Mediterian Sea with Marianne, a girl, who is chased by hit-men from Algeria. They lead a unortodox live, always on the run." IMDB"
"Leaving wife and child behind, Ferdinand takes off on a wild adventure with the babysitter Marianne. As they become entangled with murder and gangsters, mysterious events destroy their happiness and lead to an explosive finale."
"Dissatisfied in marriage and life, Ferdinand takes to the road with the babysitter, his ex-lover Marianne Renoir, and leaves the bourgeoisie behind but they get more than they bargained for when they are pursued by a gang of crooks."
""Dissatisfied in marriage and life, Ferdinand takes to the road with the babysitter, his ex-lover Marianne Renoir, and leaves the bourgeoisie behind"--Container."
"Ferdinand quitte sa femme pour s'enfuir avec une amie, Marianne, qui fait partie d'un groupe terroriste. Tous deux échouent sur la Côte d'Azur où ils vivent seuls un certain temps dans une crique isolée. Mais Marianne s'ennuie et pousse Ferdinand à participer à un coup de main organisé par des amis. Le coup réussi, Marianne lâche Ferdinand pour partir avec un complice. Ferdinand les rejoint, les abat puis se suicide."