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http://worldcat.org/entity/work/id/5362920

Avant garde. 3

In the Gance film a mad scientist discovers a sneezing powder that changes the shape of anything it touches. The Duchamp is a Dada film based on rotating circles and spirals interlaced by puns in French. Man Ray uses light patterns from rotating objects to exhibit his early Dadaistic affiliations. Partially filmed at the villa, Emak-Bakia which in Basque means leave me alone. Ray's second film portrays one man's difficulty in becoming committed to a woman. A starfish symbolizes his yearning for sincere beauty without hidden, destructive qualities.

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  • "In the Gance film a mad scientist discovers a sneezing powder that changes the shape of anything it touches. The Duchamp is a Dada film based on rotating circles and spirals interlaced by puns in French. Man Ray uses light patterns from rotating objects to exhibit his early Dadaistic affiliations. Partially filmed at the villa, Emak-Bakia which in Basque means leave me alone. Ray's second film portrays one man's difficulty in becoming committed to a woman. A starfish symbolizes his yearning for sincere beauty without hidden, destructive qualities."@en