Set to a song by the film-maker, it tells of the Indian's and white man's conflicts during the last century from the point of view of a Canadian Indian. A Challenge for Change production.
"Set to a song by the film-maker, it tells of the Indian's and white man's conflicts during the last century from the point of view of a Canadian Indian. A Challenge for Change production."@en
""Impressionistic film that examines the situation of Aboriginal people in North America through the figure of Crowfoot, the legendary 19th-century Blackfoot leader of the Plains. A rapid montage of archival photos, etchings and contemporary newspaper clippings is married to the words and music of an impassioned ballad written by Micmac singer and songwriter Willie Dunn." -- from container."@en
"An impressionistic, haunting often bitter account of the opening of the Canadian West, presented through still photography. The film was created by a Micmac Indian, Willie Dunn, who tells of the tragedy of Indians in a series of still and moving images, accompanied by a ballad."@en
"An impressionistic, haunting, often bitter account of the opening of the Canadian West, presented through still photography and the words and music of Willie Dunn, a Micmac from Montreal."
"The Ballad of Crowfoot: An impressionistic, haunting, often bitter account of the opening of the Canadian West, presented through still photography and the words and music of Willie Dunn, a Micmac from Montréal. (Awards: New York; San Francisco; Montevideo.). School in the bush: Communicates Cree values and culture, and their reverence for the land. Shows this hunting culture's way of life, including divisions of labor. Reveals that, for the Cree, life and education are part of the same process."
"A bitter, haunting, and impressionistic film that examines the situation of Aboriginal people in North America through the figure of Crowfoot, the legendary 19th-century Blackfoot leader of the Plains. A rapid montage of archival photos, etchings and contemporary newspaper clippings is married to the words and music of an impassioned ballad written by Micmac singer and songwriter Willie Dunn."
"A bitter, haunting, and impressionistic film that examines the situation of Aboriginal people in North America through the figure of Crowfoot, the legendary 19th-century Blackfoot leader of the Plains. A rapid montage of archival photos, etchings and contemporary newspaper clippings is married to the words and music of an impassioned ballad written by Micmac singer and songwriter Willie Dunn."@en
"Utilizes music, stills, and clips from the Canadian National Archives and other sources to portray the conflicts of Indians and whites during the last century, as seen from the point of view of a Canadian Indian."@en
"Utilizes music, stills, and clips from the Canadian National Archives and other sources to portray the conflicts of Indians and white men during the last century, as seen from the point of view of a Canadian Indian."@en
"Utilizes music, stills, and clips from the Canadian National Archives and other sources to portray the conflicts of Indians and white men during the last century, as seen from the point of view of a Canadian Indian."
""A bitter, haunting, and impressionistic film that examines the situation of Aboriginal people in North America through the figure of Crowfoot, the legendary 19th century Blackfoot leader of the Plains. A rapid montage of archival photos, etchings and contemporary newspaper clippings is married to the words and music of an impassioned ballad written by Micmac singer and songwriter Willie Dunn."--Container."
""A bitter, haunting, and impressionistic film that examines the situation of Aboriginal people in North America through the figure of Crowfoot, the legendary 19th century Blackfoot leader of the Plains. A rapid montage of archival photos, etchings and contemporary newspaper clippings is married to the words and music of an impassioned ballad written by Micmac singer and songwriter Willie Dunn."--Container."@en
""An impressionistic, haunting, often bitter, account of the opening of the Canadian West, presented through still photography and the words and music of Willie Dunn, a Micmac from Montréal"--Film and video catalogue, 1984/85 / National Film Board of Canada."@en
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Ontario Institute for Studies in Education. Social Studies Committee.
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Indians, Treatment of Canada, Western Juvenile films.
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