"Music." . . "Música Interpretación." . . "Pratique de l'exécution (Musique) Congrès 17e siècle." . . "Musique Congrès Histoire et critique 17e siècle Angleterre." . . "Musikalische Aufführungspraxis." . . "Pratique de l'exécution (Musique) 17e siècle Congrès." . . "1600 - 1699" . . "Performance practice (Music)" . . "Aufführungspraxis (Musik)" . . "Música barroca Gran Bretaña s.17." . . "Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland." . . "Música barroca." . . . . "Musique Angleterre 17e siècle Histoire et critique Congrès." . . "Performing the music of Henry Purcell" . "Performing the music of Henry Purcell"@en . . . . . . "Criticism, interpretation, etc"@en . "Criticism, interpretation, etc" . "'We all pay lip service to Henry Purcell, but what do we really know of him?', asked Ralph Vaughan Williams. As Nicholas Kenyon points out in his introduction to this volume, many of the circumstances of Purcell's life and music remain obscure. With the tercentenary of Purcell's death, much of his music is being performed, often for the first time for many years. This book, based on discussions at a conference in Oxford in 1993, attempts to answer some of the many questions of performance practice that have arisen." . "'We all pay lip service to Henry Purcell, but what do we really know of him?', asked Ralph Vaughan Williams. As Nicholas Kenyon points out in his introduction to this volume, many of the circumstances of Purcell's life and music remain obscure. With the tercentenary of Purcell's death, much of his music is being performed, often for the first time for many years. This book, based on discussions at a conference in Oxford in 1993, attempts to answer some of the many questions of performance practice that have arisen."@en . . . . . . . . . . . . "History"@en . "History" . . . . . . . . . . . . . . . . . . . . . "Werk." . . "Uitvoeringspraktijk." . .