WorldCat Linked Data Explorer

Turtle N-Triple JSON-LD RDF/XML HTML Contact Us Home

http://worldcat.org/entity/work/id/56055100

Balanchine essays. Port de bras and epaulement

Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet port de bras and épaulement, according to the principles of Balanchine technique.

Open All Close All

type

about

alternateName

http://schema.org/alternateName

  • "Port de bras and epaulement"@en
  • "Port de bras"
  • "Épaulement"
  • "Port de bras and épaulement"@en
  • "Port de bras and épaulement"

contributor

description

http://schema.org/description

  • "Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet port de bras and épaulement, according to the principles of Balanchine technique."@en
  • "Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet port de bras and épaulement, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers. Brief phrases from Balanchine's ballets Divertimento no. 15 and Symphony in C illustrate the choreographic application of Balanchine technique."
  • "Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet port de bras and épaulement, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers. Brief phrases from Balanchine's ballets Divertimento no. 15 and Symphony in C illustrate the choreographic application of Balanchine technique."@en

genre

http://schema.org/genre

  • "Ballet films"
  • "Instruction"@en
  • "Video"@en
  • "Dance films"
  • "Dance"@en

name

http://schema.org/name

  • "Balanchine essays. Port de bras and epaulement"@en
  • "Balanchine essays. Port de bras and épaulement"
  • "Balanchine essays. Port de bras and épaulement"@en

workExample