Frankenstein created woman

Frankenstein and Dr. Hertz want to experiment capturing the souls of the dead and imposing them into other bodies. When Hans is accused of murder and put to death, they take his body and trap his soul. Christina, Hans' girlfriend, is consumed with grief and commits suicide. Frankenstein and Hertz are able to revive her and transfer Hans' soul into her body. They believe their experiment is successful until discovering Christina's actions are driven by Hans' revenge seeking spirit.

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"Frankenstein transfers the soul of a young man wrongfully executed for murder into the body of his sweetheart, who committed suicide in grief, and revives the young woman so that she can wreak vengeance on the wastrels responsible for the execution."
"Baron Frankenstein captures the soul of a recently executed man and instills it in a young woman, Christina. With the memories of the young man still in tact, the creation starts to kill those who falsely accused the young man of murder."
"Frankenstein and Dr. Hertz want to experiment capturing the souls of the dead and imposing them into other bodies. When Hans is accused of murder and put to death, they take his body and trap his soul. Christina, Hans' girlfriend, is consumed with grief and commits suicide. Frankenstein and Hertz are able to revive her and transfer Hans' soul into her body. They believe their experiment is successful until discovering Christina's actions are driven by Hans' revenge seeking spirit."@en
"Baron Frankenstein captures the soul of a recently executed man and instills it in a young woman, Christina. With the memories of the young man still in tact, the creation starts to kill those who falsely accused the young man of murder."@en
"Baron Frankenstein captures the soul of a recently executed man and instills it in a young woman, Christina. With the memories of the young man still in tact, the creation starts to kill those who falsely accused the young man of murder."
"In the third Hammer Frankenstein film the Baron has become embittered by his experiences with ignorant and bigoted people. Realising that the manufacture of synthetic bodies cannot lead to immortality he shifts his attention to 'soul' transplants directly against his previous beliefs. By this stage in the cycle the excesses of plot amount to what has been described as 'an extravagant fairytale full of decadent romantic imagery'. The contrivance of 'soul' transplants - the soul of a man is trapped in a woman's body - 'takes the 19th century image of the femme fatale (Keats' Lamia) to its logical conclusion'. The Baron's female creation is not a fiend but a deadly seductress: her pretty face deformed on one side is redolent of the Medusa."@en
"Baron Frankenstein captures the soul of a recently executed man and instills it in a young woman, Christina. With the memories of the young man still intact, Christina starts to kill those who falsely accused the young man of murder."@en
"Using his own body, Baron Frankenstein (Peter Cushing) experiments to prove that the soul survives beyond death."@en