"Literatura estadounidense Historia y crítica Siglo XX." . . "American poetry History and criticism 20th century." . . "Poésie américaine Histoire et critique 20e siècle." . . "Poesia nord-americana S. XX Història i crítica." . . "Literatură americană Istorie şi critică Sec. 20." . . . . "Poesía estadounidense Historia y crítica Siglo XX." . . "Poesía estadounidense s.20 Historia y crítica." . . "Lyrik." . . "Geschichte 1900-." . . "S. XX" . . "Poésie américaine 20e siècle Histoire et critique." . . "Poëzie." . . "1900 - 1999" . . "Poésie américaine." . . "USA." . . "American poetry." . . "Poesia nord-americana." . . "anno 1900-1999" . . "Geschichte 1900-1973." . . "Amerikaanse letterkunde." . . "Poezie Istorie şi critică Sec. 20." . . . "One of America's leading poets and critics offers a major interpretation of the poetry and poets of modern America, from the radical bohemians at the turn of the century through the leftist poets of the twenties, the reactionaries of the thirties and forties, the gradual emergence of the San Francisco school after the Second World War, to the more recent poetry of Allen Ginsberg, Philip Whalen, Gary Snyder. It is a work of re-experiencing the poems themselves, and in the process Kenneth Rexroth provides a controversial new look at the standard authors and boldly redefines the value of such poets as Levertov, Moore, and Lowell. This new paperback edition has been supplemented by a complete index of poets and a list of suggested readings. --back cover."@en . . . . . "La poesía norteamericana en el siglo XX"@es . "La poesía norteamericana en el siglo XX" . . . . "Criticism, interpretation, etc"@en . "Criticism, interpretation, etc" . . . . . . . . . . . . . "American poetry in the twentieth century" . "American poetry in the twentieth century"@en . . "American poetry in the twentieth century : Kenneth Rexroth" . . . "Poesía norteamericana en el siglo veinte" . "Poesía norteamericana en el siglo 20" . . . . . . . . . . . . . . "La Poesía norteamericana en el siglo XX" . . . . . . . . . . . .