Linked Data Explorer

"Celia discovers that her new husband's distrust of women is actually a deep-set and potentially dangerous hatred."@en
"Celia discovers that her new husband's distrust of women is actually a deep-set and potentially dangerous hatred."
"An example of forties Gothic (like Rebecca, Gaslight, Spellbound, and Suspicion) in which a woman comes to fear the man to whom she is attached usually by marriage. Here Bennett's husband is an architect who obsessively collects 'felicitous rooms' in which women have been murdered. She realizes that she must uncover the secret of one room always kept locked. Lang brings a precise expressionism to bear on this baroque popularisation of Freudian psychoanalysis, creating an atmosphere in which the subconscious seems suspended as in a dream or a nightmare."@en
"Seemingly trapped within the spare yet surreal and terrifying confines of her husband's mansion, she begins to fear for her life when his sublimated hatred for women starts to bubble over and his strange obsession for violent deaths leads her to believe that she may be next."
"While on vacation, Celia, a wealthy heiress, meets an architectural editor named Mark. They fall in love and are soon married. They travel to Mark's New England mansion where Celia meets Mark's domineering older sister and son from a previous marriage. Celia is shocked to learn that her new husband collects rooms where murders have been committed, and adds them to his mansion. As more bizzare facts are revealed, Celia is determined to stay and find the cause of her husband's strange fascination with murder, even though she must risk her own life to do so."
"Celia sposa Mark, un milionario che ha ossessioni omicide, il quale ha ricostruito una serie di stanze in cui si sono svolti delitti celebri. L'ultima stanza, quella chiusa, è la copia esatta della camera da letto della moglie. (Mereghetti)."@it
"While on vacation, Celia, a wealthy heiress, meets an architectural editor named Mark. They fall in love and are soon married. They travel to Mark's New England mansion where Celia meets Mark's domineering older sister and son from a previous marriage. Celia is shocked to learn that her new husband collects rooms where murders have been committed, and adds them to his mansion. As more bizzare facts are revealed, Celia is determined to stay and find the cause of her husband's strange fascination with murder, even though she must risk her own life to do so."@en
"Feature film from the USA. Film Noir. Drama. Celia marries a stranger she met whilst on holiday, and moves into his mansion. It becomes apparent, however, that both he and the house harbour dark secrets."@en

director

http://schema.org/director

http://worldcat.org/entity/person/id/2640870553

genre

http://schema.org/genre

"French language films"@en
"Drames"
"Film noir"
"Film noir"@en
"Films noirs"
"Features"@en
"Drama"@en
"Drama"
"Feature films"@en
"Feature films"
"fiction dramatique (fiction)"
"Giallo (Genere)"@it
"Fiction films"
"Dutch language films"@en
"Detective and mystery films"@en
"Detective and mystery films"
"Thrillers (Motion pictures)"@en
"Thrillers (Motion pictures)"

illustrator

http://schema.org/illustrator

http://worldcat.org/entity/person/id/2630418596

musicBy

http://schema.org/musicBy

http://worldcat.org/entity/person/id/2634934674

name

http://schema.org/name

"Secret beyond the door --"
"Secret beyond the door"@it
"Secret beyond the door"
"Secret beyond the door"@en
"Secret beyond the door -- (Film)"
"The secret beyond the door = Le secret derrière la porte"
"Secret beyond the door (film)"
"Secret beyond the door_ = Dietro la porta chiusa"@it
"The secret beyond the door"

producer

http://schema.org/producer

workExample

http://schema.org/workExample