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http://worldcat.org/entity/work/id/57880015

IMPRO : improvisation and the theatre

Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The

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  • "Impro <dt.&gt"
  • "Improvisation and the theatre"@en

author

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description

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  • "Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The"@en
  • "A leading figure in the theatre, Keith Johnstone lays bare his techniques and exercises to foster spontaneity and narrative skill for actors. These techniques and exercises were evolved in the actors' studio, when he was Associate Director of the Royal Court and then in demonstrations to schools and colleges and ultimately in the founding of a company of performers called The Theatre Machine. Divided into four sections, "Status", "Spontaneity", "Narrative Skills" and "Masks and Trance", arranged more or less in the order a group might approach them, the book sets out the specific approaches which Johnstone has himself found most useful and most stimulating. The result is a fascinating exploration of the nature of spontaneous creativity."@en
  • "Myself - Status - Spontaneity - Narrative skills - Masks and trance."@en
  • "Verhandeling met praktische aanwijzingen."
  • "Keith Johnstone provides an overview of the improvisatory techniques and exercises used in theaters across the country, addressing the topics of status, spontaneity, narrative skills, and masks and trance."@en

genre

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  • "Einführung"
  • "Electronic books"@en

name

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  • "Impro"
  • "Impro improvisation & théâtre"
  • "IMPRO : improvisation and the theatre"@en
  • "Impro - improvisation and the theatre"
  • "Impro Improvisation and the Theatre"@en
  • "Impro : improvisatie en theater"
  • "Improvisation und Theater : [die Kunst, spontan und kreativ zu agieren]"
  • "Impro : improvisacion en el teatro"@es
  • "Impro : improvisación y el teatro"@es
  • "Impro : improvisation and the theater"
  • "IMPRO : improvisación y el teatro"
  • "IMPRO : improvisación y el teatro"@es
  • "Impro : improvisationand the theatre"
  • "Impro : improvisation & théâtre"
  • "Impro : improvisation and the theatre"@en
  • "Impro : improvisation and the theatre"
  • "Impro : improvision and the theatre"
  • "Impro: improvisation and the theatre : with an introd. by Irving Wardle"@en
  • "Impro improvisation and the theatre"@en
  • "Impro improvisation and the theatre"
  • "Improvisation und Theater"
  • "Impro Improvisation and the theatre"

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