. . . "Criticism, interpretation, etc"@en . . . . . . . . . . . . . . . . . . "The delights and dangers of ambiguity"@en . "The delights and dangers of ambiguity" . . . . . . . . "Leonard Bernstein at Harvard"@en . "Explorations of new tonal fields by composers of the Romantic era. Musical illustrations include: Berlioz' Romeo alone and The Ball at the Capulets; Wagner's Prelude und Liebestod from Tristan und Isolde; and Debussy's Prelude a l'apres-midi d'un faune."@en . . "Leonard Berstein comments on the new tonal fields by composers of the Romantic era. Musical illustrations include selections from Berlioz, Wagner and Debussy." . . . . . .