Linked Data Explorerhttp://worldcat.org/entity/work/id/58685771
Living Electronic Music
Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials but others refuse to abandon traditionally 'created and structured' electroacoustic work. Ly.
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http://schema.org/about
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/computer_music
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/geluidstechniek
- http://id.loc.gov/authorities/subjects/sh85088808
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/music_musical_instruments_piano_&_keyboard
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/electronic_music_history_and_criticism
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/electro_acoustics
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/elektroakoestische_effecten
- http://id.worldcat.org/fast/1030408
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/elektronische_muziek
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/geluidsweergave
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/music
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/musique_electroacoustique_histoire_et_critique
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/musique_philosophie_et_esthetique
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/electronic_music
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/histoire
- http://id.worldcat.org/fast/907363
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/musikphilosophie
- http://experiment.worldcat.org/entity/work/data/58685771#Event/20e_siecle
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/elektronische_musik_musikasthetik_geschichte_1950_2005
- http://experiment.worldcat.org/entity/work/data/58685771#Event/geschichte_1950_2005
- http://id.loc.gov/authorities/subjects/sh2008102948
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/musique_par_ordinateur
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/musique_interpretation
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/racunalniska_glasba_teorija
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/music_philosophy_and_aesthetics
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/musique_electroacoustique
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/philosophy_and_aesthetics_music_20th_century
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/performance_practice_music
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/musikasthetik
- http://experiment.worldcat.org/entity/work/data/58685771#Topic/elektronische_musik
http://schema.org/description
- "Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials but others refuse to abandon traditionally 'created and structured' electroacoustic work. Ly."@en
http://schema.org/workExample
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