Imagining the banks of the Seine in the thick of "la vie moderne," author Susan Vreeland tracks Auguste Renoir as he conceives, plans, and paints the "Luncheon of the Boating Party."
"Imagining the banks of the Seine in the thick of "la vie moderne," author Susan Vreeland tracks Auguste Renoir as he conceives, plans, and paints the "Luncheon of the Boating Party.""@en
"*Starred Review* Once again--to the delight of her legion of fans--the best-selling author of Girl in Hyacinth Blue (1999) and The Passion of Artemesia (2002) imaginatively uses art history as the basis for a carefully constructed historical novel. Vreeland turns this time to French impressionist master Auguste Renoir's famous painting Luncheon of the Boating Party, which depicts a group of people (in 1880) enjoying leisure time on the terrace of a riverside restaurant. The current conditions in the life of the painter himself launch the author on an amazingly engrossing reinvigoration of the lives of the individuals who modeled for Renoir for that work, all of whom were actual people, and all are given a third dimension in Vreeland's lovely prose, beyond the two dimensions in which they were painted. Renoir's purpose was to create not only a masterpiece but also a work that would solve the dilemma of his continuing to "belong" to the impressionist school of which he had been a primary founder; in other words, he put his reputation on the line with Luncheon . There are, then, basically three levels of "atmosphere" swirling through the pages of this riveting, complex novel: Renoir's issues in composing the painting, the separate and interconnected lives of the 14 individuals appearing in it, and the spirit of la vie moderne, the new modes of living, thinking, and expressing as conducted by the French arts community at the time."@en
"Renoir is inspired to paint "Luncheon of the boating party" when his other work is criticized by Emile Zola, and while doing so is drawn into lives of the thirteen people featured in it as they enjoy a Parisian summer during the late 1800s."@en
"Renoir is inspired to paint "Luncheon of the boating party" when his other work is criticized by Emile Zola, and while doing so is drawn into lives of the thirteen people featured in it as they enjoy a Parisian summer during the late 1800s."
"In recognizable. Auguste Renoir's masterpiece depicts a gathering of his friends enjoying a summer Sunday on a cafe-terrace along the Seine near Paris. An art collector, an Italian journalist, a war hero, a wealthy painter, a celebrated actress, and Renoir's future wife, among others, share this moment of la vie moderne, a time when social constraints were loosening and Paris was healing after the Franco-Prussian War. Parisians were bursting with a desire for pleasure and a yearning to create something extraordinary out of life. Renoir shared these urges and took on this most challenging project at a time of personal crises in art and love, all the while facing issues of loyalty and the diverging styles that were tearing apart the Impressionist group. Narrated by Renoir and seven of the models, and using settings in Paris and on the Seine, Vreeland iluminates the gusto, hedonism, and art of the era. With a gorgeous palette of vibrant, captivating characters, she paints their lives loves, losses, and triumphs in a brilliant portrait of her own."@en
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Renoir, Auguste, 1841-1919, Luncheon of the boating party.
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