"Music Philosophy and aesthetics." . . "Music Philosophy and aesthetics" . "Musikphilosophie" . . "Music." . . "Generalities; philosophy; 20th century; Frankfurter Schule, Th. W. Adorno, J. Habermas, M. Horkheimer, H. Marcuse." . . "Música Estética y filosofía s. 20." . . "Simbolismo en la música." . . "Muzyka 20 w. historia i krytyka." . . "Chefs d'orchestre." . . "Music Philosophy." . . "Musique." . . . . . . . . . . . . . . . . . . . . . . . "Klangfiguren : musikalische Schriften 1" . . . . . . . "Klangfiguren musikalische Schriften I" . "Klangfiguren : quasi una fantasia : musikalische Schriften" . . "Theodor Adorno is one of this century's most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. Throughout the essays in this book, all of which concern musical matters, he displays an astonishing range of cultural reference, demonstrating that music is invariably social, political, even ethical. This volume includes essays on prominent figures in music (Alban Berg, Anton von Webern, Arturo Toscanini), compositional technique (the prehistory of the twelve-tone row, the function of counterpoint in new music), and the larger questions of musical sociology for which Adorno is most famous, including the relation of interpretation to audience, the ideological function of opera, and the historical meaning of musical technique." . . "Musikalische Schriften/ 1, Klangfiguren" . . . "Criticism, interpretation, etc" . . . . . . . "Musikalische Schriften. I, Klangfiguren" . . . "Klangfiguren" . "Recueil de textes consacrés à la musique qui étudient la technique, l'esthétique et des compositeurs (Berg, Webern, etc.)." . "Figures sonores : écrits musicaux 1" . "Ecrits musicaux / 1, Figures sonores" . . . . . . . . . . . "Sound figures" . . . . . . . . . . "Klangfiguren; musikalische Schriften I" . . "Klangfiguren : Musikalische Schriften; 1 Ideen zur Musiksoziologie; Bürgerliche Oper Neue Musik, Interpretation, Publikum Die Meisterschaft des Maestro (Toscanini) Zur Vorgeschichte der Reihenkomposition (Schönberg) Alban Berg; Die Instrumentation von Bergs Frühen Liedern Anton von Webern Klassik, Romantik, Neue Musik Die Funktion des Kontrapunkts in der neuen Musik Kriterien der Neuen Musik Musik und Technik" . . . . . . "Klangfiguren" . . . . . "Figures sonores" . "Figures sonores : écrits musicaux I" . . . . "Écrits musicaux 1. Figures sonores / trad. de l'allemand par Marianne Rocher-Jacquin avec la collab. de Claude Maillard" . "Figures sonores. 01" . "Klangfiguren : Musikalische Schriften I" . . . . "Klangfiguren. Musikalische Schriften, I" . . . . "Theodor Adorno is one of the 20th century's most influential thinkers in the areas of social theory, philosophy, aesthetics and music. This volume of essays contains Adorno's thoughts on music and its wider social implications." . "1900 - 1999" . . "Musique Philosophie et esthétique." . . "Musikästhetik" . . "Musique 20e siècle Histoire et critique." . . "Opéra." . . "Música s. 20 Historia y crítica." . . "Muziek." . . "Música Filosofía y estética." . . "glasba filozofija sociologija estetika." . . "musique [études diverses]" . . "Musica Studi." . . "Algemeen; filosofie; personen en stelsels; filosofen op de overgang van de negentiende en de twintigste eeuw en in het eerste gedeelte van de twintigste eeuw; Frankfurter Schule, Th. W. Adorno, J. Habermas, M. Horkheimer, H. Marcuse." . . "Musique Aspect social." . . . . "Sociologie de la musique." . . "Music History and criticism." . .