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http://worldcat.org/entity/work/id/652729225

The Last laugh

A pompous, aging hotel doorman is rejected by his family and friends when he is demoted from his job. Fate has a sudden change in fortune for him.

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  • "F.W. Murnau's The last laugh"
  • "F. W. Murnau's The last laugh"
  • "Der Letzle Mann"@en
  • "Letzte Mann"@en
  • "Letzte Mann (Der)"
  • "Letze Mann"@en
  • "letzte Mann"
  • "Letze mann"@en
  • "Last laugh"@en
  • "Last laugh"
  • "Le dernier des hommes"
  • "Letzte mann"@en
  • "Letzte mann"
  • "Ultimo uomo (L')"

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http://schema.org/description

  • "Históricamente reconocido como el primer film que explotó el movimiento de cámara, todo un clásico del cine mudo del maestro Murnau. Narra cómo un portero de un lujoso hotel, un anciano orgulloso de su trabajo y respetado por todos, es bruscamente degradado a mozo de los lavabos. Privado de su antiguo trabajo y del uniforme que le identifica, intenta ocultar su nueva condición, pero su vida se desintegra lentamente."
  • "A pompous, aging hotel doorman is rejected by his family and friends when he is demoted from his job. Fate has a sudden change in fortune for him."@en
  • "Portrays a doddering hotel doorman who is demoted to lavatory attendant."
  • "The story of a hotel doorman who is demoted to washroom attendant because of his age. Humiliated, the considers suicide. Then, by a strange twist of fate, he becomes a millionaire. This silent film is told entirely by camera, without title cards."@en
  • "The story of a hotel doorman who is demoted to washroom attendant because of his age. Humiliated, the considers suicide. Then, by a strange twist of fate, he becomes a millionaire. This silent film is told entirely by camera, without title cards."
  • "Jannings is a pompous old hotel doorman who is demoted because of his age. He works in the wash room before his fortunes turn and he becomes a millionaire."@en
  • "Jannings is a pompous old hotel doorman who is demoted because of his age. He works in the wash room before his fortunes turn and he becomes a millionaire."
  • "The story of a hotel doorman who is suddenly and summarily demoted because of his age."
  • "Film de style Kammerspiel racontant l'histoire d'un portier de palace berlinois qui, parce qu'il est trop vieux, est dépouillé de son uniforme rutilant et devient gardien de lavabos. Humilié, il pense au suicide dans le pauvre logement òu il vit avec sa fille et son fiancé. Mais, pour une fin heureuse, il devient un client millionnaire du palace. Interprété par Emil Jannings."
  • "The story of a hotel doorman who is demoted to washroom attendant because of his age. Humiliated, he considers suicide. Then he experiences a strange twist of fate."@en
  • "Told entirely through filmed images, this is the story of a hotel doorman who becomes demoted to wash room attendant due to his age. By a strange turn of fortune, however, things change dramatically for him."
  • "An elderly man, who as the doorman of a great hotel was looked upon as a symbol of "upper class," due to his age, is demoted to wash room attendant. Humiliated, he considers suicide. Then, by a strange twist of fate, he becomes a millionaire. This silent film is told entirely by camera, without title cards."@en
  • "A proud hotel doorman is demoted to a lavatory attendant."
  • "Chronicles the fickle advantages of status as an aging hotel doorman is demoted to lavatory attendant but then becomes a millionaire."@en
  • "A pompous, aging hotel doorman, who is rejected by his family and friends when he is dismissed from his job, experiences a sudden change in fortune. Setting: Berlin in the 1920's."@en
  • "Chronicles the fickle advantages of status as an aging hotel doorman is demoted to lavatory attendant but then becomes a millionaire."
  • "A pompous, aging hotel doorman is rejected by his family and friends when he is demoted to lavatory attendant. Fate has a sudden change in fortune for him."@en
  • "A view of the hardships suffered by the petit bourgeois."
  • "The crowning achievement of the German expressionist movement and one of the most notable artworks to arise from the Weimar Republic is Friedrich Wilhelm Murnau's The Last Laugh. Emil Jannings stars in the bleak fable of an aging doorman whose happiness crumbles when he is relieved of the duties and uniform which had for years been the foundation of his pride. Through Jannings' colossal performance, The Last Laugh becomes more than the plight of a single doorman, but a dramatization of the frustration of the working class. The young film critic Marcel Carne described the film's cinematography in 1929 in the following terms: "The camera on a trolley glides, rises, zooms, or weaves where the story takes it. It is no longer fixed but takes part in the action and becomes a character in the drama.""
  • "The story of a hotel doorman who is demoted to washroom attendant because of his age. Humiliated, he considers suicide. Then, by a strange twist of fate, he becomes a millionaire. This silent film is told entirely by camera, without title cards."@en
  • "The crowning achievement of the German expressionist movement and one of the most notable artworks to arise from the Weimar Republic is Friedrich Wilhelm Murnau's The Last Laugh. Emil Jannings stars in the bleak fable of an aging doorman whose happiness crumbles when he is relieved of the duties and uniform which had for years been the foundation of his pride. Through Jannings' colossal performance, The Last Laugh becomes more than the plight of a single doorman but a dramatization of the frustration of the working class. The young film critic Marcel Carne described the film's cinematography in 1929 in the following terms: "The camera on a trolley glides, rises, zooms, or weaves where the story takes it. It is no longer fixed but takes part in the action and becomes a character in the drama.""
  • "Murnau's classic silent film about the doorman at the Hotel Atlantis who loses his job, and is made to clean the toilets... but dare not tell anyone."
  • "Chronicles the fickle advantages of status as an aging hotel doorman is demoted."@en
  • "Tables turn twice as an aging doorman demoted to lavatory attendant inherits a fortune from an eccentric millionaire."@en
  • "The story of a hotel doorman who is demoted to washroom attendant because of his age. Humiliated, he considers suicide. Then he experiences a strange twist of fate. This silent film is told entirely by camera, without title cards."
  • ""The crowning achievement of the German expressionist movement and one of the most notable artworks to arise from the Weimar Republic...the bleak fable of an aging doorman whose happiness crumbles when he is relieved of the duties and uniform which had for years been the foundation of his happiness and pride...more than the plight of a single doorman but a mournful dramatization of the frustration and anguish of the universal working class."--Container."
  • "Chronicles the fickle advantages of status as a pompous, aging hotel doorman is demoted to lavatory attendant, then becomes a millionaire."
  • "Chronicles the fickle advantages of status as a pompous, aging hotel doorman is demoted to lavatory attendant, then becomes a millionaire."@en
  • "Chronicles the fickle advantages of status as an aging hotel doorman is demoted to lavatory attendant."
  • "Chronicles the fickle advantages of status as an aging hotel doorman is demoted to lavatory attendant."@en
  • "Film de style Kammerspiel racontant l'histoire d'un portier de palace berlinois qui, parce qu'il est trop vieux, est dépouillé de son uniforme rutilant et devient gardien de lavabos. Humilié, il pense au suicide dans le pauvre logement où il vit avec sa fille et son fiancé. Mais, pour une fin heureuse, il devient un client millionnaire du palace. Interprété par Emil Jannings."
  • "A pompous aging hotel doorman, who is rejected by his family and friends when he is dismissed from his job, experiences a sudden change in fortune."@en
  • "An unqualified maserwork of the silent cinema, the Kino edition is fully restored and mastered from a 35mm archive negative, with an orchestral score by Timothy Brock recorded in digital stereo."@en
  • ""The crowning achievement of the German expressionist movement and one of the most notable artworks to arise from the Weimar Republic ... the bleak fable of an aging doorman whose happiness crumbles when he is relieved of the duties and uniform which had for years been the foundation of his happiness and pride ... more than the plight of a single doorman but a mournful dramatization of the frustration and anguish of the universal working class."--Container."@en
  • "A pompus, aging hotel doorman, who is rejected by his family and friends when he is dismissed from his job, experiences a sudden change in fortune. Film is famous for its occasional use of subjective camera work and its exploration of the possibilities of the moving camera."@en
  • "A pompous, aging doorman who is rejected by family and friends when he is fired from his job, experiences a sudden change in fortune."@en
  • "A hotel porter who is demoted to washroom attendant because of his age considers suicide. Then, by a strange twist of fate, he becomes a millionaire. This film is told entirely by camera, without title cards."
  • "Un vieux portier d'hôtel est très fier de sa position et surtout de son bel uniforme. Or le jour même où il marie sa fille, le directeur lui retire son emploi et le relègue à la surveillance des lavabos. Le bonhomme est effondré et, le soir, il vole son vieil uniforme pour assister aux noces. Mais le lendemain il doit reprendre ce travail qu'il considère comme une déchéance. Heureusement, un millionnaire excentrique, mort dans ses bras, lui lègue une fortune."
  • "An aging and veteran hotel doorman comes to work one morning only to find that he has been replaced, and thus demoted to washroom attendant. Rejected by family and friends as a consequence, he experiences a sudden change in fortune."@en
  • "An expressionist masterpiece, the film tells the story of a hotel doorman who is demoted to washroom attendant because of his age. Humiliated, he considers suicide. Then, by a strange twist of fate, he becomes a millionaire. This silent film is told entirely by camera, without title cards."@en

http://schema.org/genre

  • "DVD-Video discs"
  • "DVD-Video discs"@en
  • "Drama"
  • "Drama"@en
  • "Adventure"@en
  • "Motion pictures"
  • "Foreign films"
  • "Feature films"@en
  • "Feature films"
  • "Fiction films"@en
  • "Fiction films"
  • "Video recordings"@en
  • "Video recordings"
  • "Motion pictures, German"
  • "Videorecording"@en
  • "Videorecording"
  • "Speelfilm"
  • "Cinéma muet (Descripteur de forme)"
  • "Silent films"@en
  • "Silent films"
  • "Kammerspiel films"@en
  • "Kammerspiel films"

http://schema.org/name

  • "Der letzte mann"
  • "The Last laugh"@en
  • "The Last laugh"
  • "Last laugh"
  • "Last laugh"@en
  • "The Last laugh Der letze Mann"
  • "Der Letzte mann (Pel·lícula cinematogràfica)"
  • "Der letzte Mann The last laugh"
  • "The last laugh [Der letzte Mann]"@en
  • "The last laugh [German version]"
  • "Letze mann"
  • "Letzle Mann"@en
  • "Letze Mann"@en
  • "The Last laugh Der letze [i.e. letzte] Mann"@en
  • "Der letzte Mann (Motion picture : 1924). 16 mm"
  • "Letzte Mann (Motion picture : 1924)"@en
  • "Letzte Mann (Motion picture : 1924)"
  • "The last laugh"
  • "The last laugh"@en
  • "The last laugh = Der letzte Mann"
  • "Der letzte Mann"
  • "Der letzte Mann"@en
  • "Der letzte Mann (Motion picture : [19--?]). 35 mm"
  • "Der letzte mann The last laugh"
  • "Der letzte mann The last laugh"@en
  • "The last laugh Der letze mann"@en

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