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"Un giovane di buona famiglia, dedito al furto non per necessità ma piuttosto come sfida nei confronti della società, dopo essere stato arrestato piú volte decide di dare un senso alla propria vita..."@it
"Luego de un robo frustrado, el carterista Michel es detenido por la policía. La muerte de su madre y las reacciones de sus amigos Jaques y Jeanne lo convencen de dejar su oficio. Pero, el encuentro con un maestro carterista, lo arrastra de nuevo a la delincuencia cuando Michel descubre que Jeanne está enamorada de él, deja París y va a Londres. Tiempo después, cuando ha sido nuevamente detenido, vuelve a reencontrar a la mujer sola y abandonada, y se da cuenta de que la ama. Esta es sin duda una de las grandes obras de Robert Bresson. Interpretada por actores improvidados e inspirada en Crimen y Castigo de Fedor Dostoievski, la película no da razones convencionales para explicar la disposición de Michel al robo. No lo hace por dinero ni por aventura más bien es una especie de vicio. Por otro lado, Martín Lasalle, el actor uruguayo que lleva el papel protagónico, continuaría su carrera cinematográfica y televisiva en México."@es
"A young man turns to picking pockets as an occupation but distances himself from the woman he loves."
"Michel es un joven brillante que, sin embargo, consagra su vida al oficio de carterista, algo de lo que pretende disuadirle la policía, que le conoce bastante bien. Su vida pronto sufrirá un giro trágico del que Michel no podrá escapar aunque se lo proponga."
"Presents an analysis of a criminal's compulsions and conscience, showing the agitation and transformation of a soul in the manner of Dostoevsky's presentation of the subject."
"Michel takes up picking pockets, but is arrested and sent to prison almost immediately, giving him the chance to reflect on the morality of crime. After his release, though, his mother dies, and he rejects the support of friends Jeanne and Jacques in favour of returning to pickpocketing (after taking lessons from an expert) and embarks on it as a professional career."
"Michel, an insignificant man, studies the art of theft. Forced to flee Paris ahead of the police, he returns several years later to love and redemption."
"Michel es un joven delincuente que se dedica al robo de carteras o billeteras. Su situación familiar es difícil con una madre enferma a quien no visita. Michel vive con un sentimiento de angustia y soledad del que siente no poder salir."
"Michel is a young pickpocket who spends his days working the streets, subway cars, and train stations of Paris. As his compulsive pursuit of the thrill of stealing grows, however, so does his fear that his luck is about to run out."
""Fasciné par l'idée que, dans certains cas, "des hommes capables, indispensables à la société" seraient "libres d'échapper aux lois", Michel devient pickpocket. Malgré un commissaire qui le surveille et Jeanne qui l'aime, il ne peut s'empêcher de voler. Il se fait prendre et c'est en prison qu'il découvre "le drôle de chemin" qu'il lui a fallut prendre pour aller jusqu'à Jeanne..."
""Michel takes up picking pockets as a hobby, and is arrested almost immediately, giving him the chance to reflect on the morality of crime. After his release, though, his mother dies, and he rejects the support of friends Jeanne and Jacques in favour of returning to pickpocketing (after taking lessons from an expert), because he realises that it's the only way he can express himself..."--imdb.com"
"Robert Bresson's incomparable tale of crime and redemption follows Michel, a young pickpocket who spends his days working the streets, subway cars, and train stations of Paris. As his compulsion grows, however, so too does his fear that his luck is about to run out. Tautly choreographed and crafted in Bresson's inimitable style, Pickpocket reveals a master director at the height of his powers."
"Michel, an insignificant man who drifts into crime, is arrested and imprisoned. Upon release, he abandons an attempt at reform when a master pickpocket teaches him his art."
"This incomparable story of crime and redemption from the French master Robert Bresson follows Michel, a young pickpocket who spends his days working the streets, subway cars, and train stations of Paris. As his compulsive pursuit of the thrill of stealing grows, however, so does his fear that his luck is about to run out. A cornerstone of the career of this most economical and profoundly spiritual of filmmakers, Pickpocket is an elegantly crafted, tautly choreographed study of humanity in all its mischief and grace, the work of a director at the height of his powers."
"Fasciné par l'idée que, dans certains cas, "des hommes capables, indispensables à la société" seraient "libres d'échapper aux lois", Michel devient pickpocket. Malgré un commissaire qui le surveille et Jeanne qui l'aime, il ne peut s'empêcher de voler. Il se fait prendre et c'est en prison qu'il découvre "le drôle de chemin" qu'il lui a fallut prendre pour aller jusqu'à Jeanne..."
"Michel is a petty thief who, after an unsuccessful theft, tries to justify his exhilaration to a police inspector. The death of her mother and the reactions of his friends, stir his conscience, but when he meets a master pickpocket who trains him, he reverts to crime."
"Un jeune homme devient pickpocket presque malgré lui, et malgré les avertissements d'un commissaire. Il aime une jeune fille, s'enfuit à Londres, se fait emprisonner. Interprété par des non-professionnels."
"Michel es un carterista que no roba por necesidad como tampoco lo hace por vicio, no es cleptómano, roba para darse a sí mismo un valor, porque el robo es el medio de expresar sus sentimientos."
"Michel, an insiginificant man who drifts into crime, is arrested and imprisoned. Upon release, he abandons an attempt at reform when a master pickpocket teaches him his art."
"Michel, an insignificant man who drifts into crime, is arrested and imprisoned. Upon release, he abandons an attempt at reform when a master pickpocket teaches him his art. Inspired by Dostoevsky's "Crime and Punishment"."
"Michel è orgogliosamente convinto di essere al di sopra della giustizia e del resto dell'umanità. Diventa borsaiolo di professione e insieme a due complici frequenta luoghi affollati, come l'ippodromo e la stazione, dove compie i furti. Incurante dei consigli dei suoi amici Jeanne e Jacques viene arrestato. Quando Jeanne va a trovarlo in carcere, Michel si rende conto di amarla."
""Robert Bresson's incomparable tale of crime and redemption...is the story of Michel, a scurrilous young pickpocket who spends his days working the streets and subways of Paris. Playing a game of wits with a fatherly police inspector, Michel's thievery escalates as he refutes the affections of a gentle young woman, Jeanne, who cares for his dying mother. But as Michel's kleptomania grows, so too does his fear that his luck will soon run out" -- Back cover."
"Michel esce di prigione dopo aver scontato una condanna per furto. Sua madre però muore ed egli ritorna a fare il borseggiatore per sopravvivere. (Musicafilm)."
"Michel, an insignificant man, studies the art of theft. Forced to flee Paris ahead of the police, he returns several years later to love and redemption. Loosely based on Dostoevsky's Crime and punishment."
"À Longchamp, un jeune homme tente de dérober le contenu d'un sac à main mais il est épinglé par la police. Relâché, il ne va plus vivre désormais que pour le vol à la tire. Un pickpocket professionnel le forme. Mais cet esprit sec et imbu de lui-même se laisse toucher par une fille mère qui vient lui rendre visite dans sa prison après son arrestation."
"Â Robert Bresson's (Au Hasard Balthazar, L'Argent) incomparable tale of crime and redemption, famously inspired by Dostoevsky's novel Crime and Punishment, is the story of Michel (Martin LaSalle), a scurrilous young pickpocket who spends his days working the streets and subways of Paris. Playing a game of wits with a fatherly police inspector, Michelâs thievery escalates as he refutes the affections of a gentle young woman, Jeanne (Marika Green), who cares for his dying mother. But as Michel's kleptomania grows, so too does his fear that his luck will soon run out. Meticulous scenes of Michel's cunning sleight-of-hand underline a futile game of deception as the doomed anti-hero searches for meaning through immorality. With a restrained non-professional cast lending the film thrilling authenticity, this French cinema milestone is widely regarded as Bressonâs masterpiece."
"L'itinéraire de Michel, jeune homme solitaire, fasciné par le vol, qu'il élève au niveau d'un art, persuadé que certains êtres d'élite auraient le droit d'échapper aux lois."
"Michel takes up picking pockets as a hobby and is arrested almost immediately. After taking lessons from an expert in pickpocketing, he rejects the support of friends Jeanne and Jacques in favor of returning to crime because he realizes that it is the only way that he can express himself."