"Muzyka popularna aspekt społeczny." . . "Música popular urbana Aspectos políticos." . . "Musique populaire Aspect politique." . . "Einwanderer." . . "Einwanderer" . "Musique Aspect social." . . "Music Social aspects." . . . . "Música y sociedad s. 20." . . "Politik Rockmusik." . . "Popular music Social aspects." . . "Música popular urbana Aspectos sociales." . . "Posmodernismo." . . . . . . . . . . . . . . . . . . . . . . . . . . "Dangerous crossroads : popular music, postmodernism and the poetics of place" . . . . "In cities around the globe, immigrant populations are finding their identity by making music which combines their own experiences with the forms of the mainstream culture they have come to inhabit. Dangerous Crossroads surveys an extraordinary range of these musical fusions: Puerto Rican Bugalu in New York; Algerian rai in Paris; Chicano punk in Los Angeles; Indigenous rock in Australia; chanson Quebecois in Montreal; swamp pop in Houston and New Orleans; reggae, bhangra, and juju in London; and zouk, rap, and jazz in Europe, Africa, and the Americas. Throughout, Lipsitz highlights the issues that unite inter-ethnic music fusions across geographic boundaries. He demonstrates that what might be interpreted as a postmodern process of meaningless juxtapositions of musical forms ripped from their original contexts may actually be a redeployment of traditional music to serve untraditional purposes."@en . "In cities around the globe, immigrant populations are finding their identity by making music which combines their own experiences with the forms of the mainstream culture they have come to inhabit. Dangerous Crossroads surveys an extraordinary range of these musical fusions: Puerto Rican Bugalu in New York; Algerian rai in Paris; Chicano punk in Los Angeles; Indigenous rock in Australia; chanson Quebecois in Montreal; swamp pop in Houston and New Orleans; reggae, bhangra, and juju in London; and zouk, rap, and jazz in Europe, Africa, and the Americas. Throughout, Lipsitz highlights the issues that unite inter-ethnic music fusions across geographic boundaries. He demonstrates that what might be interpreted as a postmodern process of meaningless juxtapositions of musical forms ripped from their original contexts may actually be a redeployment of traditional music to serve untraditional purposes." . . . "Dangerous crossroads : popular music, postmodernism, and the poetics of place"@en . . "Dangerous crossroads : popular music, postmodernism, and the poetics of place" . . . . . . . . . . . . . . . . "Dangerous crossroads popular music, postmodernism, and the poetics of place"@en . . . . . . . . . . . . . . . . . . . "Muzyka popularna aspekt polityczny." . . "Postmodernism." . . "Popkultur." . . "Musique populaire Aspect social." . . "Politik." . . "Postmoderne." . . "Postmoderne" . "Postmodernisme." . . "musique populaire société (milieu humain)" . . "Muzyka aspekt społeczny." . . "Weltmusik." . . "Weltmusik" . "Music." . . "Postmodernizm." . . "Culturele betrekkingen." . . "Popular music Political aspects." . . "Popmuziek." . . "Popmusik." . . "Popmusik" . "Volksmusik." . . "Volksmusik" . "Rockmusik Politik." . . "Ethnizität." . .