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"Jean-Pierre Léaud returns in the delightful Stolen Kisses, the third installment in the Antoine Doinel series. It is now 1968, and the mischievous and perpetually love-struck Doinel has been dishonorably discharged from the army and released onto the streets of Paris, where he stumbles into the unlikely profession of private detective and embarks on a series of misadventures. Whimsical, nostalgic, and irrepressibly romantic, Stolen Kisses is Truffaut's timeless ode to the passion and impetuosity of youth."
"Réformé de la prison militaire, Antoine Doinel, vingt-quatre ans, cherche du travail. Amoureux de Christine Darbon, il trouve conseil auprès des parents de la jeune femme qui lui dégotent un poste comme veilleur de nuit. Manquant à ses obligations, le jeune homme devient détective puis, dépanneur de télévision. Loin de Christine, il vit diverses aventures jusqu'à ce qu'il retrouve son premier amour."
"The third installment of the Antoine Doinel series. It's now 1968 and the mischevious and perpetually love struck Doinel has been dishonorably discharged from the army and has returned to Paris, where he embarks on a series of ill-fated jobs, finally settling on an amusing stint as a private detective. In his ever-turbulent love life, he finds himself torn between an attractive, serious-minded young violinist and a glamorous, older married woman."
"After being discharged from the army for insubordination, Antoine Doinel visits his former girlfriend Christine Darbon, and her father finds a temporary job of night watchman for Antoine in a hotel. The naive Antoine is deceived by a private eye in his first night shift, and fired on the next morning. The investigator invites the clumsy Antoine to work in his company, where he is assigned for some minor jobs, until he has to investigate why the owner of a shoes store, Mr. Georges Tabard, is detested by his employees. Meanwhile Antoine falls in love for the gorgeous Mrs. Fabienne Tabard."
"SUMMARY: "After being discharged from the army for insubordination, Antoine Doinel (Jean-Pierre Léaud) visits his former girlfriend Christine Darbon (Claude Jade), and her father finds a temporary job of night watchman for Antoine in a hotel. The naive Antoine is deceived by a private eye in his first night shift, and fired on the next morning. The investigator invites the clumsy Antoine to work in his company, where he is assigned for some minor jobs, until he has to investigate why the owner of a shoes store, Mr. Georges Tabard (Michel Lonsdale), is detested by his employees. Meanwhile Antoine falls in love for the gorgeous Mrs. Fabienne Tabard (Delphine Seyrig)." IMDB"
"It is 1968 and the mischevious and perpetually love struck Doinel has been dishonorably discharged from the army and has returned to Paris, where he embarks on a series of ill-fated jobs, finally settling on an amusing stint as a private detective. In his ever-turbulent love life, he finds himself torn between an attractive, serious-minded young violinist and a glamorous, older married woman."
"Continuation of the story of Antoine Doinel, (first told in the film The 400 Blows) and in many respects the autobiography of François Truffaut--his thoroughly dishonorable discharge from the army, his initially awkward but finally successful encounters with women. But the pain of encounter with the world of earlier work here becomes acceptance of life, with which comes an openness to its joy."
"Na militaire dienst belandt Atoine Doinel in wisselende baantjes, wordt verliefd op de vrouw van een werkgever en verlooft zich tenslotte met een nuchter meisje."
"The third in the Antoine Doinel series, (first told in the film The 400 blows) and in many respects the autobiography of François Truffaut. After his dishonorable discharge from the army, Antoine embarks on a series of ill-fated jobs, finally settling on an amusing stint as a private dectective. In his ever-turbulent love life, he finds himself torn between an attractive, serious-minded young violinist and a glamorous, older married woman."
"Tras cumplir el servicio militar Antoine Doinel comienza a trabajar en una agencia de detectives. Investigando un caso en una zapatería donde se enamora de la esposa del dueño."
"Terzo episodio delle avventure di Antoine Doinel (dopo I quattrocento colpi e l'episodio di Amore a vent'anni). Congedato dal servizio militare per instabilità di carattere, Antoine sperimenta strani lavori e conosce l'amore. (Mereghetti)."@it
"Stolen kisses is a continuation of the story of Antoine Doinel (first told in the film, The 400 blows). 'In many respects this is an autobiography of Francois Truffaut'."
"It's 1968 and the mischevious and perpetually love-struck Doinel has been dishonorably discharged from the army and has returned to Paris, where he embarks on a series of ill-fated jobs, finally settling on an amusing stint as a private detective. In his ever-turbulent love life he finds himself torn between an attractive, serious-minded young violinist and a glamorous, older married woman."
"Obwohl er sich freiwillig verpflichtet hatte, wird Antoine Doinel wegen charakterlicher Unbeständigkeit vorzeitig aus der Armee entlassen. Wieder steht er vor einer ungewissen Zukunft."
"The third in the Antoine Doinel series, (first told in the film The 400 blows) and in many respects the autobiography of François Truffaut. After his dishonorable discharge from the army, Antoine embarks on a series of ill-fated jobs, finally settling on an amusing stint as a private detective. In his ever-turbulent love life, he finds himself torn between an attractive, serious-minded young violinist and a glamorous, older married woman."
"Après son service militaire, Antoine Doinel revient à la vie civile. Il vit des expériences diverses, tant sur le plan professionnel qu'amoureux. Suite du film Les 400 coups du même réalisateur."
"It's 1968 and the mischevious and perpetually love struck Doinel has been dishonorably discharged from the army and has returned to Paris, where he embarks on a series of ill-fated jobs, finally settling on an amusing stint as a private detective. In his ever-turbulent love life, he finds himself torn between an attractive, serious-minded young violinist and a glamorous, older married woman."
"The third in the Antoine Doinel series, (first told in the film The 400 Blows) and in many respects the autobiography of François Truffaut. After his dishonorable discharge from the army, Antoine embarks on a series of ill-fated jobs, finally settling on an amusing stint as a private detective. In his ever-turbulent love life, he finds himself torn between an attractive, serious-minded young violinist and a glamorous, older married woman."
"Antoine Doinel a vingt-quatre ans. Enfermé derrière les barreaux d'une prison militaire, il attend d'être enfin réformé. Libéré, il va dîner chez lez parents de Christine Darbon, la jeune fille dont il est amoureux. Tour à tour veilleur de nuit, détective privé, employé dans un magasin de chaussures, Antoine Doinel est un éternel instable, aussi bien dans sa vie professionnelle, qu'affective."
"The third in Truffaut's semi-autobiographical series about Antoine Doinell finds 20-something Antoine freshly released from an army prison, embarking on a series of jobs before becoming a private detective. Antoine finds himself torn between a young violinist and an older married woman."
"Antoine Doinel a vingt-quatre ans. Enfermé derrière les barreaux d'une prison militaire, il attend d'être enfin reformé. Libéré, il va dîner chez les parents de Christine Darbon, la jeune fille dont il est amoureux. Tour à tour veilleur de nuit, détective privé, employé dans un magasin de chaussures, Antoine Doinel est un éternel instable, aussi bien dans sa vie professionnelle, qu'affective."
"The third in the Antoine Doinel series, (first told in the film The 400 Blows) and in many respects the autobiography of François Truffaut--his thoroughly dishonorable discharge from the army, his initially awkward but finally successful encounters with women. The pain of encounter with the world of earlier work here becomes acceptance of life, with which comes an openness to its joy."
"A continuation of the story of Antione Doinel (first told in the picture "The 400 Blows") and his dishonorable discharge from the army, his initially awkward, but finally successful adventures with women."@en
"Stolen kisses is a continuation of the story of Antoine Doinel (first told in the film, The 400 blows). In many respects this is an autobiography of Francois Truffaut--his thoroughly dishonorable discharge from the army, his initially awkward but finally successful encounters with women."@en

director

http://schema.org/director

http://worldcat.org/entity/person/id/2638295904

editor

http://schema.org/editor

http://worldcat.org/entity/person/id/2638295904

genre

http://schema.org/genre

"Comédie dramatique/Drame psychologique"
"court métrage"
"Fiction films"
"Motion pictures, French"
"Video recordings for the hearing impaired"
"VCD"
"Nouvelle Vague (cinéma)"
"Vidéo"
"Comédies dramatiques (cinéma)"
"Commedia (Genere)"@it
"Foreign films"
"Drama"
"Drama"@en
"Foreign language films"
"Comedy films"
"Feature films"
"Feature films"@en
"fiction dramatique (fiction)"
"comédie (fiction)"
"Video recordings"
"Video recordings"@en

illustrator

http://schema.org/illustrator

http://worldcat.org/entity/person/id/2637292804

musicBy

http://schema.org/musicBy

name

http://schema.org/name

"Baisers volés"
"Baisers volés"@it
"Baisers volés"@en
"Baisers voles ; Antoine et Colette"
"Baisers volés Geraubte Küsse"
"François Truffaut's Stolen kisses"
"Baiser volés Stolen kisses"
"Baisers voles Stolen kisses"
"Baisers voles Stolen kisses"@en
"Stolen kisses"
"Baisers volés (film)"
"Baisers volés (Motion picture)"
"Baisers volés (Film)"
"Baiser voles"
"Baisers volées"
"Baisers volés = Baci rubati"@it
"Baisers volés ; (Suivi de)Antoine et Colette"
"Baisers volés Stolen kisses"
"Baisers volés Skradzione pocałunki"
"Stolen kisses Baisers volés"