Visuelle Evidenz : Fotografie im Reflex von Literatur und Film [WorldCat Entities]

"During the 19th century, photography was almost absolutely considered to represent a medium guaranteeing authenticity. By contrast, in literature and film of the 20th century, it was precisely this characteristic attributed to the photographic method that was problematized and varied. Based on specific case studies from literature and film, the collected contributions of this book focus on the evidence of photography and its presentation in different, specifically narrating forms. The authors are scholars of German, English and Romance literature and the cultural sciences as well as media scholars."
"During the 19th century, photography was almost absolutely considered to represent a medium guaranteeing authenticity. By contrast, in literature and film of the 20th century, it was precisely this characteristic attributed to the photographic method that was problematized and varied. Based on specific case studies from literature and film, the collected contributions of this book focus on the evidence of photography and its presentation in different, specifically narrating forms. The authors are scholars of German, English and Romance literature and the cultural sciences as well as media scho."
"Gilt die Fotografie im 19. Jahrhundert nahezu uneingeschränkt als ein Authentizität verbürgendes Medium, so wird im 20. Jahrhundert in Literatur und Film genau diese dem fotografischen Verfahren zugeschriebene Eigenschaft problematisiert, aber auch variiert. Anhand konkreter Fallstudien aus Literatur und Film fragen die hier versammelten Beiträge nach der Evidenz der Fotografie und der Inszenierung dieser Evidenz in anderen, spezifisch erzählenden Kunstformen. Die Autorinnen und Autoren sind germanistische, anglistische und romanistische Literatur- und Kulturwissenschaftler sowie Medienwissenschaftler. During the 19th century, photography was almost absolutely considered to represent a medium guaranteeing authenticity. By contrast, in literature and film of the 20th century, it was precisely this characteristic attributed to the photographic method that was problematized and varied. Based on specific case studies from literature and film, the collected contributions of this book focus on the evidence of photography and its presentation in different, specifically narrating forms. The authors are scholars of German, English and Romance literature and the cultural sciences as well as media scholars. Barbara Korte und Sabina Becker, Albert-Ludwigs-Universität Freiburg."