"BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians" . . "Indiana University Press." . . "Émotions Dans la musique." . . "Ausdruck." . . . . "MUSIC / Individual Composer & Musician" . . "Musik." . . "Expressive intersections in Brahms : essays in analysis and meaning" . . . . . . "Aufsatzsammlung"@en . "Aufsatzsammlung" . . . . . . . . . "Expressive intersections in Brahms essays in analysis and meaning" . "Expressive intersections in Brahms essays in analysis and meaning"@en . . . . . . . . . . "Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual r..." . . "Criticism, interpretation, etc" . "Criticism, interpretation, etc"@en . "Electronic books"@en . . . "Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual r"@en . . . . "Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms's most \"absolute\" works [Publisher description]." . "Musical analysis." . . "Musical analysis" . "Expressivität." . .