This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France.
"This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France."@en
""This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France"--"
""This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France"--"@en
"'The collection is an excellent guide for readers who want to get to grips with the complexity and mixity of genres, processes and environments involved in contemporary French theatre.' - David Whitton, Emeritus Professor, Department of European Languages and Cultures, Lancaster University, UK."
"This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France. Contemporary French Theatre and Performance is an original and timely collection of essays that explores, for the first time, the relationship between experimental theatre and performance practices in France. The book contains essays on playwrighting, directing, dramaturgy, theatre de rue ('street theatre'), carnal art, cinema d'exposition ('moving image installation'), conceptual dance and poesie sonore ('sound poetry'). Contributions are made by leading theatre and performance scholars in France and the UK (Aston, Bradby, Corvin, Haedicke, Hamidi, Han, Harris and Hersant), as well as by practitioners (Cantarella, Corrieri, Dechery, Cvejic, Stewart). Essays approach the aesthetics and politics of these experimental practices from a variety of angles, revealing how theatre artists, choreographers and performance makers use their art work to contest reality as it is currently configured in France. This exciting and original volume will be of interest to students, researchers and practitioners in Performance and Theatre Studies, French Studies, Art, Philosophy and Politics."
""This is the first book to explore the relationship between experimental theatre and performance making in France. Reflecting the recent return to aesthetics and politics in French theory, it focuses on how a variety of theatre and performance practitioners use their art work to contest reality as it is currently configured in France""
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