In these twelve stories, we see the astonishing range of Mo Yan's vision - which critics reviewing The Republic of Wine have compared to that of Tolstoy. The stories range from the tragic to the comic, though Mo Yan's humor is always tinged with a shade of black. They embody, too, the author's deep and abiding love of his fellow man, equaled only by his intense disdain of bureaucracy and repression. His fiction is never didactic. Satire, fantasy, the supernatural, mystery: all are present in this remarkable, and intensely enjoyable, volume.
"In these twelve stories, we see the astonishing range of Mo Yan's vision - which critics reviewing The Republic of Wine have compared to that of Tolstoy. The stories range from the tragic to the comic, though Mo Yan's humor is always tinged with a shade of black. They embody, too, the author's deep and abiding love of his fellow man, equaled only by his intense disdain of bureaucracy and repression. His fiction is never didactic. Satire, fantasy, the supernatural, mystery: all are present in this remarkable, and intensely enjoyable, volume."
"In these twelve stories, we see the astonishing range of Mo Yan's vision - which critics reviewing The Republic of Wine have compared to that of Tolstoy. The stories range from the tragic to the comic, though Mo Yan's humor is always tinged with a shade of black. They embody, too, the author's deep and abiding love of his fellow man, equaled only by his intense disdain of bureaucracy and repression. His fiction is never didactic. Satire, fantasy, the supernatural, mystery: all are present in this remarkable, and intensely enjoyable, volume."@en
""His passion for writing shaped by his own experience of almost unimaginable poverty as a child, Mo Yan uses his talent to expose the harsh abuses of an oppressive society. In these stories he writes of those who suffer, physically and spiritually, under its yoke: the newly unemployed factory worker who hits upon an ingenious financial opportunity; two former lovers revisiting their passion fleetingly before returning to their spouses; young couples willing to pay for a place to share their love in private; the abandoned baby brought home by a soldier to his unsympathetic wife; the impoverished child who must subsist on a diet of iron and steel; the young bride willing to go to any length to escape an odious, arranged marriage. Never didactic, Mo's fiction ranges from tragedy to wicked satire, rage to whimsy, magical fable to harsh realism, from impassioned pleas on behalf of struggling workers to paeans to romantic love."--The publisher."@en
"In these twelve stories, we see the astonishing range of Mo Yan's vision - which critics reviewing The Republic of Wine have compared to that of Tolstoy. The stories range from the tragic to the comic, though Mo Yan's humor is always tinged with a shade of black."
"Mo Yan uses his talent to expose the harsh abuses of an oppressive society. In these stories he writes of those who suffer, physically and spiritually, under its yoke: the newly unemployed factory worker who hits upon an ingenious financial opportunity; two former lovers revisiting their passion fleetingly before returning to their spouses; young couples willing to pay for a place to share their love in private; the abandoned baby brought home by a soldier to his unsympathetic wife; the impoverished child who must subsist on a diet of iron and steel; the young bride willing to go to any length to escape an odious, arranged marriage. Never didactic, Mo's fiction ranges from tragedy to wicked satire, rage to whimsy, magical fable to harsh realism, from impassioned pleas on behalf of struggling workers to paeans to romantic love."@es
"Mo Yan uses his talent to expose the harsh abuses of an oppressive society. In these stories he writes of those who suffer, physically and spiritually, under its yoke: the newly unemployed factory worker who hits upon an ingenious financial opportunity; two former lovers revisiting their passion fleetingly before returning to their spouses; young couples willing to pay for a place to share their love in private; the abandoned baby brought home by a soldier to his unsympathetic wife; the impoverished child who must subsist on a diet of iron and steel; the young bride willing to go to any length to escape an odious, arranged marriage. Never didactic, Mo's fiction ranges from tragedy to wicked satire, rage to whimsy, magical fable to harsh realism, from impassioned pleas on behalf of struggling workers to paeans to romantic love."
"In this collection of eight remarkable stories - the title work of which is being made into a film by the award-winning director of Red Sorghum, Zhang Yimou - Mo Yan shows why he is also China's leading writer of short fiction."
"In this collection of eight remarkable stories - the title work of which is being made into a film by the award-winning director of Red Sorghum, Zhang Yimou - Mo Yan shows why he is also China's leading writer of short fiction."@en
"The author of The Republic of Wine presents a new collection of innovative short stories, which range from the tragic to the comic and reflect the author's own disdain for bureaucracy and repression, that includes the title story, which is being made into a major film by acclaimed Chinese director Zhang Yimou."
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