Playwright and director Harold Pinter discusses his work in the theatre with particular reference to his 1984 play "One for the road." Topics include: beginning a play without knowing its end, torture as subject, characteristics of the English playwright, the challenges of political writing, and the function of drama.
"Playwright and director Harold Pinter discusses his work in the theatre with particular reference to his 1984 play "One for the road." Topics include: beginning a play without knowing its end, torture as subject, characteristics of the English playwright, the challenges of political writing, and the function of drama."@en
"Harold Pinter discusses his work in the theatre with particular reference to his violent and disturbing play "One for the road" which investigates torture in totalitarian regimes."@en
"Harold Pinter discusses his work in the theatre with particular reference to his violent and disturbing play "One for the road" which investigates torture in totalitarian regimes."
"Playwright and director Harold Pinter discusses his work in the theatre with particular reference to his violent and disturbing play - One for the road."
"Playwright and director Harold Pinter discusses his work in the theatre with particular reference to his 1984 play "One for the road.""
"Playwright and director Harold Pinter discusses his work in the theatre with particular reference to his 1984 play "One for the road.""@en
"Harold Pinter discusses his work with Benedict Nightingale with particular reference to his play "One for the road" which investigates torture in totalitarian regimes."@en
"Playwright and director Harold Pinter discusses his work in the theatre with particular reference to his violent and disturbing play One for the road, which investigates torture in totalitarian regimes."
"Playwright and director Harold Pinter discusses his work in the theatre with particular reference to his 1984 play "One for the road"."
"Discusses characteristics of the English playwright, torture as subject, the function and usefulness of drama, beginning a play without knowings its end, and the challenges of writing as a political person without writing propaganda."@en
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