"Between the 13th and 15th centuries images of a wounded and bloody Christ proliferated in England. This work finds that in their encounters with the wounded Jesus - the Saviour whose blood nurtures, feeds, and heals human persons - medieval believers found a God of mercy and love."@en
"Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, drama, and theology. These images have been interpreted as signs of a new emphasis on the humanity of Jesus. To others they indicate a fascination with a terrifying God of vengeance and a morbid obsession with death. In The Grief of God, however, Ellen Ross offers a different understanding of the purpose of this imagery and its meaning to the people of the time."
"Between the thirteenth and fifteenth centuries images of a wounded and bloody Christ proliferated in England, appearing in sermons, drama, church decorations, and spiritual treatises. Some scholars see these graphic portrayals of suffering as signs of a new emphasis on Jesus's humanity, while others see renewed emphasis on a terrifying God of vengeance. Ross, however, argues that these explanations have misunderstood the nature of medieval attitudes toward the suffering Christ. Analysing a wide range of textual and pictorial evidence, she finds that in their encounters with the wounded Jesus - the Saviour whose blood nurtures, feeds, and heals human persons - medieval believers found the God of mercy and love."@en