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"The focus of this moving film is the relationship, emotional and psychological, between two sisters and it is based on a true story. The details of the personalities of the two main characters and their development parallels the personal history of the Ensslin sisters: Gudrun (Marianne in the film) was imprisoned as a terrorist in the Stammheim prison, where she died, supposedly a suicide, in the Fall of 1977 ; Christiane (Julianne in the film) worked for sometime as an editor of a women's magazine, "Emma", and was determined to prove that her sister did not kill herself."
"Based on a true story, this film relates the emotional and psychological relationship between two sisters. Parallels the personal history of the Ensslin sisters: Gudrun (Marianne in the film) was imprisoned as a terrorist in the Stammheim prison, where she died, supposedly a suicide, in the fall of 1977 ; Christiane (Juliane in the film) worked for some time as an editor of a women's magazine, "Emma", and was determined to prove that her sister did not kill herself."
"Juliane und Marianne, zwei Schwestern aus einer deutschen Pfarrersfamilie, engagieren sich auf sehr unterschiedliche Weise in der Protestbewegung 1968."
"Two sisters choose different ways to revolt against society in the 1960s. One goes underground with a terrorist organisation, while the other joins in with demonstrations and works on a feminist newspaper."
"La storia del legame tra le sorelle Julianne e Marianne Klein. Mentre la prima ha un carattere tranquillo e lavora in un giornale, la seconda decide di unirsi ad un gruppo terrorista. Quando, dopo essere stata arrestata, viene trovata morta in prigione, Julianne farà di tutto per cercare la verità..."
"Based on a true story, this film relates the emotional and psychological relationship between two sisters. Parallels the personal history of the Ensslin sisters: Gudrun (Marianne in the film) was imprisoned as a terrorist in the Stammheim prison, where she died, supposedly a suicide, in the fall of 1977 ; Christiane (Julianne in the film) worked for some time as an editor of a women's magazine, "Emma", and was determined to prove that her sister did not kill herself."
"Élevées en Allemagne pendant les années de plomb, juste après la Seconde guerre mondiale, deux sœurs s'engagent dans des activités de dénonciation : une par le biais du journalisme, une dans un groupe terroriste."
"About German journalist's relationship with her terrorist sister."
"Het verhaal is gebaseerd op de levensgeschiedenis van Gudrun Ensslin, een van de drie RAF-leden die in 1977 in de Stammheimgevangenis zelfmoord zouden hebben gepleegd."
"Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated."
"Relates the emotional and psychological relationship between two sisters. The characters' personality and development parallels the personal history of the Ensslin sisters. Gudrun (Marianne in the film) was imprisoned as a terrorist in the Stammheim prison, where she died, supposedly a suicide, in the fall of 1977 ; Christiane (Julianne in the film, an editor of a women's magazine, was determined to prove that her sister did not kill herself."
"Two sisters choose diverging paths of rebellion against the system. Juliane works as a feminist journalist rallying for womens right to abortion while Marianne commits herself to a violent revolutionary terrorist group."
"Zwei Frauen in Deutschland, zwei Schwestern, geboren in Kriegsjahren, aufgewachsen in der "bleiernen Zeit" der 50er Jahre, engagieren sich mit der 68er-Bewegung für gesellschaftspolitische Veränderungen und eine neue Zeit. Sie tun das auf sehr unterschiedliche Weise und geraten dadurch in eine Gegnerschaft. Juliane geht den pragmatischen Weg als Redakteurin einer feministischen Frauenzeitschrift. Marianne begibt sich für ihre Ziele in den Untergrund. Aber weil sie Schwestern sind, verbindet sie ein Zwang zu Zusammengehörigkeit und gegenseitiger Aufmerksamkeit, der in der Kindheit begonnen hat und über Mariannes gewaltsmen Tod hinausreicht."
"Sisters growing up in Germany in the 1950's turn to radicalism, Juliane working within the system and Marianne becoming a terrorist."