"Immeubles de bureaux Chine Pékin (Chine) 1990-...." . . "Kina" . . "Zhong yang dian shi tai (Pékin, Chine)" . . "Pékin (Chine)" . . . . "Bouwprojecten." . . "Beijing (China)" . . "Televisiestations." . . "Kantoorgebouwen." . . "Architecture Chine Pékin." . . "Peking." . . "Peking" . "biografi" . . "CCTV Television Station and Headquarters (Peking)" . . "\"Architects, contrary to most artists, work by definition from the core of society. Rem Koolhaas is one of the few architects who demonstrates the ability to do so while maintaining a critical distance. Does his strategy contain a hint for artists on how to create significant art in a world where everything seems bound for insignificance? Writer Edzard Mik visited the CCTV building in Beijing, designed by Rem Koolhaas's OMA, and wrote a lyrical 'road essay' about Koolhaas, Beijing and on being an artist in the twenty-first century\"--Jacket."@en . . . . . . . . . . . . "History"@en . . . . "Koolhaas in Beijing" . "Koolhaas in Beijing"@en . . . . . . . . "Criticism, interpretation, etc"@en . . . . . . . "\"Architects, contrary to most artists, work by definition from the core of society. Rem Koolhaas is one of the few architects who demonstrates the ability to do so while maintaining a critical distance. Does his strategy contain a hint for artists on how to create significant art in a world where everything seems bound for insignificance? Writer Edzard Mik visited the CCTV building in Beijing, designed by Rem Koolhaas's OMA, and wrote a lyrical 'road essay' about Koolhaas, Beijing and on being an artist in the twenty-first century\"--P. [4] de la jaquette." . . . . . . . . . . . . .