The Art of Eloquence : Byron, Dickens, Tennyson, Joyce
In the course of these fifty years we have become a nation of public speakers. Everyone speaks now. We are now more than ever a debating, that is, a Parliamentary people' (The Times, 1873). The Art of Eloquence considers how Byron, Dickens, Tennyson, and Joyce responded to this 'Parliamentary people', and examines the ways in which they and their publics conceived the relations between political speech and literary endeavour. Drawing on a wide range of sources - classical rhetoric, Hansard, newspaper reports, elocutionary manuals, treatises on crowd theory - this book argues that oratorical procedures and languages were formative influences on literary culture from Romanticism to Modernism. Matthew Bevis focuses attention on how the four writers negotiated contending political demands in and through their work, and on how they sought to cultivate forms of literary detachment that could gain critical purchase on political arguments.
"In the course of these fifty years we have become a nation of public speakers. Everyone speaks now. We are now more than ever a debating, that is, a Parliamentary people' (The Times, 1873). The Art of Eloquence considers how Byron, Dickens, Tennyson, and Joyce responded to this 'Parliamentary people', and examines the ways in which they and their publics conceived the relations between political speech and literary endeavour. Drawing on a wide range of sources - classical rhetoric, Hansard, newspaper reports, elocutionary manuals, treatises on crowd theory - this book argues that oratorical procedures and languages were formative influences on literary culture from Romanticism to Modernism. Matthew Bevis focuses attention on how the four writers negotiated contending political demands in and through their work, and on how they sought to cultivate forms of literary detachment that could gain critical purchase on political arguments."@en
"Bevis considers how Byron, Dickens, Tennyson, and Joyce, and their publics, conceived the relations between public speaking and literary expression. By drawing upon a wide range of sources he argues that oratorical procedures and languages were formative influences on literary culture from Romanticism to Modernism."
"In the course of these fifty years we have become a nation of public speakers. Everyone speaks now. We are now more than ever a debating, that is, a Parliamentary people' (The Times, 1873).The Art of Eloquence considers how Byron, Dickens, Tennyson, and Joyce responded to this 'Parliamentary people', and examines the ways in which they and their publics conceived the relations between political speech and literary endeavour. Drawing on a wide range of sources - classical rhetoric, Hansard, newspaper reports, elocutionary manuals, treatises on crowd theory - this book argues that oratorical pro."
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Anglais (Langue) Aspect politique Grande-Bretagne Histoire.
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Engelsk litteratur historia 1800-talet 1900-talet.
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English language Political aspects Great Britain History.
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English literature 19th century History and criticism.
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English literature 20th century History and criticism.
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LITERARY CRITICISM European English, Irish, Scottish, Welsh.
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Littérature anglaise 19e siècle Histoire et critique.
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Littérature anglaise 20e siècle Histoire et critique.
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Politics and literature Great Britain History 19th century.
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Politics and literature Great Britain History 20th century.
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Politique et littérature Grande-Bretagne 1800- ...
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Politique et littérature Grande-Bretagne Histoire 19e siècle.
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Politique et littérature Grande-Bretagne Histoire 20e siècle.
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