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The Art of Eloquence : Byron, Dickens, Tennyson, Joyce

In the course of these fifty years we have become a nation of public speakers. Everyone speaks now. We are now more than ever a debating, that is, a Parliamentary people' (The Times, 1873). The Art of Eloquence considers how Byron, Dickens, Tennyson, and Joyce responded to this 'Parliamentary people', and examines the ways in which they and their publics conceived the relations between political speech and literary endeavour. Drawing on a wide range of sources - classical rhetoric, Hansard, newspaper reports, elocutionary manuals, treatises on crowd theory - this book argues that oratorical procedures and languages were formative influences on literary culture from Romanticism to Modernism. Matthew Bevis focuses attention on how the four writers negotiated contending political demands in and through their work, and on how they sought to cultivate forms of literary detachment that could gain critical purchase on political arguments.

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  • "In the course of these fifty years we have become a nation of public speakers. Everyone speaks now. We are now more than ever a debating, that is, a Parliamentary people' (The Times, 1873). The Art of Eloquence considers how Byron, Dickens, Tennyson, and Joyce responded to this 'Parliamentary people', and examines the ways in which they and their publics conceived the relations between political speech and literary endeavour. Drawing on a wide range of sources - classical rhetoric, Hansard, newspaper reports, elocutionary manuals, treatises on crowd theory - this book argues that oratorical procedures and languages were formative influences on literary culture from Romanticism to Modernism. Matthew Bevis focuses attention on how the four writers negotiated contending political demands in and through their work, and on how they sought to cultivate forms of literary detachment that could gain critical purchase on political arguments."@en
  • "Bevis considers how Byron, Dickens, Tennyson, and Joyce, and their publics, conceived the relations between public speaking and literary expression. By drawing upon a wide range of sources he argues that oratorical procedures and languages were formative influences on literary culture from Romanticism to Modernism."
  • "In the course of these fifty years we have become a nation of public speakers. Everyone speaks now. We are now more than ever a debating, that is, a Parliamentary people' (The Times, 1873).The Art of Eloquence considers how Byron, Dickens, Tennyson, and Joyce responded to this 'Parliamentary people', and examines the ways in which they and their publics conceived the relations between political speech and literary endeavour. Drawing on a wide range of sources - classical rhetoric, Hansard, newspaper reports, elocutionary manuals, treatises on crowd theory - this book argues that oratorical pro."

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  • "Electronic books"@en
  • "Electronic books"
  • "Criticism, interpretation, etc"@en
  • "Criticism, interpretation, etc"
  • "History"@en
  • "History"

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  • "The art of eloquence : Byron, Dickens, Tennyson, Joyce"
  • "The Art of Eloquence : Byron, Dickens, Tennyson, Joyce"
  • "The Art of Eloquence : Byron, Dickens, Tennyson, Joyce"@en
  • "The art of eloquence Byron, Dickens, Tennyson, Joyce"@en
  • "The art of eloquence Byron, Dickens, Tennyson, Joyce"
  • "The Art of Eloquence Byron, Dickens, Tennyson, Joyce"