"perspektiv" . . "Raumdarstellung." . . "Space and time-religious aspects-christianity." . . "Ewigkeit Gottes." . . "Ikonographie." . . "Raum-Zeit <Motiv>" . . "Icônes." . . "Espace et temps Aspect religieux." . . "God (christianity)-eternity." . . "Icons." . . "Icons" . "Electronic book." . . "tid i kunsten" . . "RELIGION Christianity General." . . "Raum-Zeit (Motiv)" . . "Abstraktion." . . "Perspektive." . . . . "iconographie-généralités." . . "Espace et temps Dans l'art." . . "Espace et temps dans l'art." . "Space and time in art." . . "Space and time in art" . "Christliche Kunst." . . "iconographie-programme décoratif des églises." . . "ikonmalerier" . . "rum i kunsten" . . "Zeit Raum Künste." . . "Icons, byzantine-history." . . "Ikonenmalerei." . . "Gegenwart Gottes." . . "Byzantinismus." . . . "Livres électroniques" . . . . . . . . . . . . "This book contributes to the re-emerging field of \"theology through the arts\" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of \"reverse perspective\", which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky."@en . . . . . . . . . . "Space, time and presence in the icon seeing the world with the eyes of God" . . . . . . . . "Space, time, and presence in the icon : seeing the world with the eyes of god" . . . . . . "Space, time, and presence in the icon seeing the world with the eyes of God" . "Space, time, and presence in the icon seeing the world with the eyes of God"@en . . . . . . "Space time and presence in the icon" . . . . . . "Space, time, and presence in the icon : seeing the world with the eyes of God" . . . . "Electronic books"@en . . . . . . . . . . . . . . . . . "Raum Zeit Künste." . . "Ikone." . . "Perspective." . . "Perspective" .