"Literature." . . "Philosophie Dans la littérature." . . "Reiseliteratur." . . "French literature History and criticism." . . "Travel Philosophy." . . "History and criticism." . . "Travelers in literature." . . "Ethnology in literature." . . "Ethnologie dans la littérature." . . "Travel in literature." . . "Imperialism in literature." . . "Écrits de voyageurs français Histoire et critique." . . "Ethnologie." . . "Moderne." . . "Französisch." . . "Écrivains." . . "Französisch." . . "Reise." . . "Travelers' writings, French." . . "Reisender (Motiv)" . . "Littérature française Histoire et critique." . . "Reisender." . . "Voyages littéraires Histoire et critique." . . "Motiv (Literatur)" . . "Geschichte 1900-2000" . . "Voyage Philosophie." . . "Voyage dans la littérature." . . "Voyageurs dans la littérature." . . "French literature." . . "Travel." . . . . . . . . . . "Electronic books" . . . . . . . . . . . . . . . . . . "Paralyses literature, travel, and ethnography in French modernity" . . . . . . . . . . . . . . . "Modernity has long been equated with motion, travel, and change, from Marx's critical diagnoses of economic instability to the Futurists' glorification of speed. Likewise, metaphors of travel serve widely in discussions of empire, cultural contact, translation, and globalization, from Deleuze's \"nomadology\" to James Clifford's \"traveling cultures.\" John Culbert, in contrast, argues that the key texts of modernity and postmodernity may be approached through figures and narratives of paralysis: motion℗¡is no more defining of modern travel than fixations, resistance, and impasse; concepts and figu." . . . "Paralyses: Literature, Travel, and Ethnography in French Modernity" . . . . . . . "Criticism, interpretation, etc" . "Paralyses : literature, travel, and ethnography in French modernity" . . . . . . . . . . . . . . . . . . . . "Récits de voyages." . . "Impérialisme dans la littérature." . . "Travelers' writings, French History and criticism." . . "Impérialisme." . . "Philosophy." . . "Culbert, John" . . . .