"Performing arts." . . "Performing arts" . "adaptation théâtrale Dickens, Charles - roman (genre littéraire)" . . "LITERARY CRITICISM European English, Irish, Scottish, Welsh." . . "Performing arts Great Britain History 19th century." . . "Aufführung." . . "Art de performance." . . "Toneel." . . "Performing arts in literature." . . "Performing arts in literature" . "1800 - 1899" . . "Roman." . . "litteraturkritik." . . "Toneelbewerkingen." . . "Great Britain." . . "Great Britain" . "Théâtre (Spectacle)" . . . . "After Dickens : reading, adaptation, and performance"@en . "After Dickens : reading, adaptation, and performance" . . . . . . . . . . . . . . . . . "After Dickens : reading, adaptation and performance" . "After Dickens Reading, Adaptation and Performance"@en . "Electronic books"@en . . . . "After Dickens : Reading, Adaptation and Performance"@en . . . . . . . "History"@en . "History" . . . . . . . "After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also explores the paradoxically rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations."@en . "After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relation to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also explores the paradoxically rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations." . . . . . . . "After Dickens reading, adaptation, and performance" . . "After Dickens reading, adaptation, and performance"@en . . . . . "Livres électroniques" . . . "Adaptations"@en . "Adaptations" . . . . . . . "After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a radical new reading of Dickens through an unusual alliance between literary criticism and theatrical performance."@en . . "Glavin, John." . . "Arts du spectacle dans la littérature." . . "théâtre Dickens, Charles - roman (genre littéraire)" . . . . "Stage adaptations." . . "Stage adaptations" . "teater." . . "Theater Dickens, Charles Grotowski, Jerzy." . . "Adaptations scéniques." . . "Adaptation dramatique." . . "Drama." . . "drama." . "Arts du spectacle Grande-Bretagne Histoire 19e siècle." . . "Rezeption." . . "Theater." . .