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http://worldcat.org/entity/work/id/793890180

The politics of reclusion painting and power in Momoyama Japan

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  • "Painting and power in Momoyama Japan"

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  • "The Chinese themes of the Four Graybeards of Mt. Shang and the Seven Sages of the Bamboo Grove figure prominently in the art of Momoyama-period Japan (ca. 1575-1625). Kendall Brown proposes that the dense and multivalent implications of aesthetic reclusion central to these paintings made them appropriate for patrons of all classes - the military, who were presently in power, the aristocracy, who had lost power, and the Buddhist priesthood, who forsook power. These paintings, and their attendant messages, thus serve as dynamic cultural agents that elucidate the fundamental paradigms of early modern Japanese society."

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  • "Livres électroniques"
  • "Electronic books"@en

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  • "The politics of reclusion : painting and power in Momoyama Japan"
  • "The politics of reclusion painting and power in Momoyama Japan"
  • "The politics of reclusion painting and power in Momoyama Japan"@en
  • "Politics of reclusion : painting and power in Momoyama Japan"

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