Entangled voices genre and the religious construction of the self
This work attempts to understand how the concepts of "voice" and "genre" function in texts, especially religious texts. The theory given is applied to five specific literary texts, detailing the ways in which a text constructs a voice, and in the process, a self.
"In this book, Ruf tries to understand how the concepts of "voice" and "genre" function in texts. To this end, he joins literary theorists in the discussion about "narrative." Ruf rejects the idea of genre as a fixed historical form that serves as a template for readers and writers; instead, he suggests that we imagine different genres, whether narrative, lyric, or dramatic, as the expression of different voices. Each voice, he asserts, possesses different key qualities: embodiment, sociality, contextuality, and opacity in the dramatic voice; intimacy, limitation, urgency in lyric; and a "magisterial" quality of comprehensiveness and cohesiveness in narrative. These voices are models for our selves, composing an unruly and unstable multiplicity of selves. Ruf applies his theory of "voice" and "genre" to five texts: Dineson's Out of Africa, Donne's Holy Sonnets, Primo Levi's The Periodic Table, Robert Wilson's Einstein on the Beach, and Coleridge's Biographia Literaria."
"This work attempts to understand how the concepts of "voice" and "genre" function in texts, especially religious texts. The theory given is applied to five specific literary texts, detailing the ways in which a text constructs a voice, and in the process, a self."@en
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développement religieux identité - construction poésie religieuse anglaise 16e s. / 19e s. [études diverses]
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LITERARY CRITICISM European English, Irish, Scottish, Welsh.
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Littérature religieuse anglaise Histoire et critique.
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Littérature religieuse anglaise Histoire et critique Théorie, etc.
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littérature religieuse anglaise poésie 16e s. / 19e s. [études diverses]
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Religious literature, English History and criticism Theory, etc.
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