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Splendid monarchy power and pageantry in modern Japan

In 1993, Masako Owada captured the world's attention when she agreed to marry Crown Prince Naruhito of Japan. She was widely portrayed as a progressive, Westernized woman about to enter one of the last bastions of traditional Japanese sexism. Crown Prince Naruhito's world was known to be steeped in ancient tradition, and the strictures placed on her were seen as tragic vestiges of the patriarchal past. But in this dramatic departure from accepted assumptions about Japan, T. Fujitani argues that just over a century ago, there was no such thing as an imperial family, imperial family, imperial wedding ceremonies were unheard of, and the image of the emperor as patriarch did not exist. Demonstrating how the trappings of the emperor were imported from nineteenth-century Western courts, he concludes that the Japanese monarchy as we know it is actually an invention of modern times.

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  • "In 1993, Masako Owada captured the world's attention when she agreed to marry Crown Prince Naruhito of Japan. She was widely portrayed as a progressive, Westernized woman about to enter one of the last bastions of traditional Japanese sexism. Crown Prince Naruhito's world was known to be steeped in ancient tradition, and the strictures placed on her were seen as tragic vestiges of the patriarchal past. But in this dramatic departure from accepted assumptions about Japan, T. Fujitani argues that just over a century ago, there was no such thing as an imperial family, imperial family, imperial wedding ceremonies were unheard of, and the image of the emperor as patriarch did not exist. Demonstrating how the trappings of the emperor were imported from nineteenth-century Western courts, he concludes that the Japanese monarchy as we know it is actually an invention of modern times."@en
  • "In 1993, Masako Owada captured the world's attention when she agreed to marry Crown Prince Naruhito of Japan. She was widely portrayed as a progressive, Westernized woman about to enter one of the last bastions of traditional Japanese sexism. Crown Prince Naruhito's world was known to be steeped in ancient tradition, and the strictures placed on her were seen as tragic vestiges of the patriarchal past. But in this dramatic departure from accepted assumptions about Japan, T. Fujitani argues that just over a century ago, there was no such thing as an imperial family, imperial family, imperial wedding ceremonies were unheard of, and the image of the emperor as patriarch did not exist. Demonstrating how the trappings of the emperor were imported from nineteenth-century Western courts, he concludes that the Japanese monarchy as we know it is actually an invention of modern times."

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  • "Electronic books"@en
  • "History"@en
  • "History"

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  • "Splendid monarchy power and pageantry in modern Japan"@en
  • "Splendid monarchy power and pageantry in modern Japan"
  • "Splendid Monarchy Power and Pageantry in Modern Japan"
  • "Splendid monarchy : power and pageantry in modern Japan"@en
  • "Splendid monarchy : power and pageantry in modern Japan"