Constructing Sonnet Sequences in the Late Middle Ages and Renaissance a Study of Six Poets
This work establishes the presence of ambiguous, polyvalent characterisation of the first-person voice in the Petrarchan poem sequence. It argues that such characterisation triggers a reader-response mechanism characterised by ambivalence and interest which could be called splintered identification. This means of identifying helps promote reader-involvement and foster the perception of the sequence as an integral work, concerns which betray the presence of novelistic thinking. This book contains two color photographs.
"This work establishes the presence of ambiguous, polyvalent characterisation of the first-person voice in the Petrarchan poem sequence. It argues that such characterisation triggers a reader-response mechanism characterised by ambivalence and interest which could be called splintered identification. This means of identifying helps promote reader-involvement and foster the perception of the sequence as an integral work, concerns which betray the presence of novelistic thinking. This book contains two color photographs."@en
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English poetry Early modern, 1500-1700 History and criticism.
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Sonett englisches Geschichte 16. Jh Quellen und Vorbilder.
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Sonett englisches Geschichte 17. Jh Quellen und Vorbilder.
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