Linked Data Explorer

"Citing his own involvement in the case of Valerie Plame, the former editor-in-chief for Time Inc. explains how the issue of confidentiality and anonymous sources has been used as a weapon against the press by the White House to protect government malfeasance."@en
"When Norman Pearlstine-as editor in chief of Time Inc.-agreed to give prosecutor Patrick Fitzgerald a reporter's notes of a conversation with a "confidential source," he was vilified for betraying the freedom of the press. But in this hard-hitting inside story, Pearlstine shows that "Plamegate" was not the clear case it seemed to be and that confidentiality has become a weapon in the White House's war on the press-a war fought with the unwitting complicity of the press itself.Watergate and the publication of the Pentagon Papers are the benchmark incidents of government malfeasance exposed by a fearless press. But as Pearlstine explains with great clarity and brio, the press's hunger for a new Watergate has made reporters vulnerable to officials who use confidentiality to get their message out, even if it means leaking state secrets and breaking the law. Prosecutors appointed to investigate the government have investigated the press instead; news organizations such as the New York Times have defended the principle of confidentiality at all costs-implicitly putting themselves above the law. Meanwhile, the use of unnamed sources has become common in everything from celebrity weeklies to the so-called papers of record.What is to be done? Pearlstine calls on Congress to pass a federal shield law protecting journalists from the needless intrusions of government; at the same time, he calls on the press to name its sources whenever possible. Off the Record is a powerful argument, with the vividness and narrative drive of the best long-form journalism. It is sure to spark controversy among the people who run the government-and among the people who tell their stories."@en
"Shows that confidentiality has become a weapon in the White Houses war on the press. Pearlstine calls on Congress to pass a federal shield law protecting journalists from the needless intrusions of government; at the same time, he calls on the press to name its sources whenever possible."@en
"Confidentiality has become a weapon in the White House's war on the press, a war fought with the unwitting complicity of the press itself. Here, Time editor Pearlstine takes us behind the scenes of this battle, showing that the conflict between reporters and their sources is of great consequence for the press, and for the country as a whole.--From publisher description."@en
"Confidentiality has become a weapon in the White House's war on the press, a war fought with the unwitting complicity of the press itself. Here, Time editor Pearlstine takes us behind the scenes of this battle, showing that the conflict between reporters and their sources is of great consequence for the press, and for the country as a whole.--From publisher description."
"When Norman Pearlstine-as editor in chief of Time Inc.-agreed to give prosecutor Patrick Fitzgerald a reporter's notes of a conversation with a ?confidential source,? he was vilified for betraying the freedom of the press. But in this hard-hitting inside story, Pearlstine shows that ?Plamegate? was not the clear case it seemed to be and that confidentiality has become a weapon in the White House's war on the press-a war fought with the unwitting complicity of the press itself.Watergate and the publication of the Pentagon Papers are the benchmark incidents of government malfeasance exposed by a fearless press. But as Pearlstine explains with great clarity and brio, the press's hunger for a new Watergate has made reporters vulnerable to officials who use confidentiality to get their message out, even if it means leaking state secrets and breaking the law. Prosecutors appointed to investigate the government have investigated the press instead; news organizations such as the New York Times have defended the principle of confidentiality at all costs-implicitly putting themselves above the law. Meanwhile, the use of unnamed sources has become common in everything from celebrity weeklies to the so-called papers of record.What is to be done? Pearlstine calls on Congress to pass a federal shield law protecting journalists from the needless intrusions of government; at the same time, he calls on the press to name its sources whenever possible. Off the Record is a powerful argument, with the vividness and narrative drive of the best long-form journalism. It is sure to spark controversy among the people who run the government-and among the people who tell their stories."@en
"Confidentiality has become a weapon in the White House's war on the press, a war fought with the unwitting complicity of the press itself. Here, Time editor Pearlstine takes us behind the scenes of this battle, showing that the conflict between reporters and their sources is of great consequence for the press, and for the country as a whole. Pearlstine calls on Congress to pass a federal shield law protecting journalists from the needless intrusions of government; at the same time, he calls on the press to name its sources whenever possible. Off the Record is a powerful argument, with the vividness and narrative drive of the best long-form journalism. It is sure to spark controversy among the people who run the government--and among the people who tell their stories."@en
"In this hard-hitting inside story, Norman Pearlstine shows that confidentiality has become a weapon in the White House's war on the press. Pearlstine calls on Congress to pass a federal shield law protecting journalists from the needless intrusions of government; at the same time, he calls on the press to name its sources whenever possible. Off the Record is a powerful argument, with the vividness and narrative drive of the best long-form journalism."
"In this hard-hitting inside story, Norman Pearlstine shows that confidentiality has become a weapon in the White House's war on the press. Pearlstine calls on Congress to pass a federal shield law protecting journalists from the needless intrusions of government; at the same time, he calls on the press to name its sources whenever possible. Off the Record is a powerful argument, with the vividness and narrative drive of the best long-form journalism."@en

genre

http://schema.org/genre

"Audiobooks"
"Audiobooks"@en
"Downloadable audio books"@en
"Guidebooks"@en
"Guidebooks"

name

http://schema.org/name

"Off the record the press, the government, and the war over anonymous sources"
"Off the record the press, the government, and the war over anonymous sources"@en
"Off the record"@en
"Off the record [the press, the government, and the war over anonymous sources]"@en
"Off the record [the press, the government, and the war over anonymous sources]"

workExample

http://schema.org/workExample