Postcards from the trenches : negotiating the space between modernism and the First World War
This work offers a portrait of the relationship between British First World War culture and modernist writings. It shows that modernist writers and combatants shared a concern with the divide between language and experience. The analysis extends to memorials, posters and architecture.
"This work offers a portrait of the relationship between British First World War culture and modernist writings. It shows that modernist writers and combatants shared a concern with the divide between language and experience. The analysis extends to memorials, posters and architecture."@en
"This study offers a complex portrait of the relationship between British First World War culture and modernist writings. It shows that unlike civilians, modernist writers and combatants shared a concern with the divide between language and experience. Connections are drawn between the sensibility of the modernist writer and the soldier, particularly regarding efforts to describe dying and the dead. The analysis extends to memorials, posters and architecture of the Great War, though the emphasis is on literary works by Robert Graves, E.M. Forster, Vera Brittain and others."@en
"In Postcards from the Trenches, Allyson Booth traces the complex relationship between British Great War culture and modernist literature and architecture. By drawing on a wide range of materials and attending to the places where they overlap, Booth uncovers ways in which modernism is deeply embedded in a broader Great War culture. She links, for example, the modernist representation of an unstable self to soldiers' familiarity with corpses, the modernist mistrust for fact to the competing nationalist discourses of August 1914, and the modernist description of buildings as having shaken off the past to a desire to forget the war. Booth argues that the dislocations of war often figure centrally in modernist forms even when the war itself seems peripheral to modernist content. Thus she suggests that soldiers experienced the Great War as strangely modernist and that modernism itself is strangely haunted by the Great War."
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English literature 20th century History and criticism.
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Guerre mondiale, 1914-1918 Grande-Bretagne Littérature et guerre.
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Guerre mondiale (1914-1918) Littérature et guerre.
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LITERARY CRITICISM European English, Irish, Scottish, Welsh.
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Littérature anglaise 1900-1945 Histoire et critique.
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Littérature anglaise 20e siècle Histoire et critique.
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World War, 1914-1918 Great Britain Literature and the war.
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