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Eliot's dark angel intersections of life and art

Schuchard's critical study shows how Eliot's personal voice works through the sordid, the bawdy, the blasphemous and the horrific to create a moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development.

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  • "Schuchard's critical study shows how Eliot's personal voice works through the sordid, the bawdy, the blasphemous and the horrific to create a moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development."@en
  • "Schuchard's critical study draws upon previously unpublished and uncollected materials in showing how Eliot's personal voice works through the sordid, the bawdy, the blasphemous, and the horrific to create a unique moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development, showing how early and consistently his classical and religious sensibility manifests itself in his poetry and criticism. The book examines his reading, his teaching, his bawdy poems, and his life-long attraction."@en
  • "Linguists have become increasingly interested in examining how class culture is socially constructed and maintained through spoken language. Julie Lindquist's examination of the linguistic ethnography of a working-class bar in Chicago is an important and original contribution to the field. She examines how regular patrons argue about political issues in order to create a group identity centered around political ideology. She also shows how their political arguments are actually a rhetorical genre, one which creates a delicate balance between group solidarity and individual identity, as well as a tenuous and ambivalent sense of class identity."@en
  • "Schuchard's critical study draws upon previously unpublished and uncollected materials in showing how T.S. Eliot's personal voice works through the sordid, the bawdy, the blasphemous, and the horrific to create a unique moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development, showing how early and consistently his classical and religious sensibility manifests itself in his poetry and criticism. The book examines his reading, his teaching, his bawdy poems, and his life-long attraction to music halls and other modes of popular culture to show the complex relation between intellectual biography and art."@en

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  • "Livres électroniques"
  • "Electronic books"@en
  • "Ressources Internet"

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  • "Eliot's dark angel intersections of life and art"@en
  • "Eliot's dark angel intersections of life and art"
  • "Eliot's Dark Angel : Intersections of Life and Art"@en
  • "Eliot's dark angel : Intersections of life and art"
  • "Eliot's dark angel : intersections of life and art"
  • "Eliot's dark angel : intersections of life and art"@en
  • "Eliots dark angel : intersections of life and art"