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Bartók, Hungary, and the renewal of tradition case studies in the intersection of modernity and nationality

It is well known that Bela Bartok had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartok was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bartok that acknowledges the composer's debt to a variety of Hungarian mu.

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  • "It is well known that Bela Bartok had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartok was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bartok that acknowledges the composer's debt to a variety of Hungarian mu."@en

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  • "Criticism, interpretation, etc"@en
  • "Criticism, interpretation, etc"
  • "Electronic books"@en
  • "Biography"@en
  • "Biography"

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  • "Bartók, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality"
  • "Bartók, Hungary, and the renewal of tradition case studies in the intersection of modernity and nationality"@en
  • "Bartok, Hungary, and the renewal of tradition : case studies in the intersection of modernity and nationality"