Music and monumentality commemoration and wonderment in nineteenth-century Germany

"A few weeks after the reunification of Germany, Leonard Bernstein raised his baton above the ruins of the Berlin Wall and conducted a special arrangement of Beethoven's Ninth Symphony. The central statement of the work, that "all men will be brothers," captured the sentiment of those who saw a brighter future for the newly reunited nation. This now-iconic performance is a palpable example of "musical monumentality"--A significant concept which underlies our cultural and ideological understanding of Western art music since the nineteenth-century. Although the concept was fi."@en
"A few weeks after the reunification of Germany, Leonard Bernstein raised his baton above the ruins of the Berlin Wall and conducted a special arrangement of Beethoven's Ninth Symphony. The central statement of the work, that "all men will be brothers," ca."@en

"Music and monumentality commemoration and wonderment in nineteenth-century Germany"@en
"Music and monumentality commemoration and wonderment in nineteenth-century Germany"
"Music and monumentality : commemoration and wonderment in nineteenth-century Germany"
"Music and Monumentality Commemoration and Wonderment in Nineteenth Century Germany"@en