The Privilege of Crisis Narratives of Masculinities in Colonial and Postcolonial Literature, Photography, and Film
Despite the understanding of scholars that masculinity, far from being a natural or stable concept, is in reality a social construction, the culture at large continues to privilege an idealized, coherent male point of view. This book draws on the work of authors such as H. Rider Haggard, Rudyard Kipling, and Joseph Conrad-as well as contemporary postcolonial writers such as J.M. Coetzee, Hanif Kureishi and Zadie Smith-to show how recurrent references to a "crisis" of masculinity or the decline of masculinity serve largely to demonstrate and support positions of male privilege.
"Despite the understanding of scholars that masculinity, far from being a natural or stable concept, is in reality a social construction, the culture at large continues to privilege an idealized, coherent male point of view. This book draws on the work of authors such as H. Rider Haggard, Rudyard Kipling, and Joseph Conrad-as well as contemporary postcolonial writers such as J.M. Coetzee, Hanif Kureishi and Zadie Smith-to show how recurrent references to a "crisis" of masculinity or the decline of masculinity serve largely to demonstrate and support positions of male privilege."@en
"HauptbeschreibungDie Geschlechterordnung ist nach wie vor von einer idealisierten Vorstellung von Männlichkeit bestimmt. Dennoch skandalisieren dieMedien regelmäßig einen Verfall von Männlichkeit. Elahe Haschemi Yekani unterzieht diese angebliche Krise der Männlichkeit einer kritischen Überprüfung. Sie entlarvt die Krisenrhetorik als Instrument, das privilegierte Positionen absichern soll. Die Studie bietet eingehende Analysen kolonialer und postkolonialer Krisennarrative in Literatur und Film.€Biographische InformationenElahe Haschemi Yekani, Dr. phil., ist wiss. Mitarbeiterin am Ins."@en
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Letteratura narrativa inglese - Aspetti socio-culturali - Paesi del Commonwealth - Sec.20.-21.
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Mascolinità - Aspetti socio-culturali - Paesi del Commonwealth - Sec.20.-21.
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