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http://worldcat.org/entity/work/id/816855942

Mechanized eye experiments in technique and form

Captain Nissen going through Whirlpool Rapids, Niagara Falls (1901) (2 min.) : by creators unknown, Edison Manufacturing Co.

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  • "Experiments in technique and form"@en

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  • "Captain Nissen going through Whirlpool Rapids, Niagara Falls (1901) (2 min.) : by creators unknown, Edison Manufacturing Co."@en
  • "Melody on parade (c. 1936) (5 min.) : creators unknown."@en
  • "[18 Films] The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form. Early cinematographers James White, "Billy" Bitzer and Frederick Armitage display experimental shooting styles. Other independent companies further image manipulation through creative staging, editing, and printing such as a three-screen cine poem that predates Gance's Napoleon. Experiments by photographer Walker Evans, painter Emlen Etting, musician Jerome Hill and the film collectives Nykino and Artkino record the world in a continual process of flux. A study of natural and abstract motions is illustrated in "Portrait of a young man" (1925-31) by Henwar Rodakiewicz. Includes work by : White, James Weed, A.E. Bitzer, "Billy" Armitage, Frederick Evans, Walker Etting, Emlen Hill, Jerome Nykino (collective) Artkino (collective) Rodakiewicz, Henwar Burnford, Paul Spehr."@en
  • "Ghost train (1903) (20 sec.) : by creators unknown, American Mutoscope and Biograph Co."@en
  • "Paris Expostions Films (1900) by James White, Edison Manufacturing Co. (6 min.) : 1. Eiffel Tower from Trocadero Palace (1900); 2. Palace of Electricity (1900); 3.Champs de Mars (1900); 4.Panorama of Eiffel Tower (1900) 5. Scene from elevator ascending Eiffel Tower (1900)."@en
  • "Down the Hudson (1903) (3 min.) : by Frederick S. Armitage and A.E. Weed, American Mutoscope and Biograph Co."@en
  • "This series reveals little-known accomplishments of American filmmakers working in the United States and abroad from the invention of cinema until World War II. It offers a view of experimental film as a product of avant-garde artists, of professional directors and of amateur moviemakers working collectively and as individuals at all levels of film production. Many of the films have not been available since their creation, some have never been screened in public, and almost all have been unavailable in DVD format. Sixty of the world's film archive collections cooperated with Anthology Film Archives to bring this period of film history back to life."@en
  • "American experimental film has existed since the technological inception of cinema, through its adolescent rambles of 1900-1919, rising phoenix-like during the high silent era, and finally matured and spread throughout the '30's and onward. The background against which the experimentalists toiled provides a fascinating review of Americana coupled with numerous cross-currents, successes and failures, and an unfailing desire to create on film an image that can be viewed as an independent and provocative art."@en
  • "Pie in the sky (1934 - 35) (22 min.) : by Nykino."@en
  • "Westinghouse works, panorama view, street car motor room (1904) (2 min.) : by G.W. "Billy" Bitzer, American Mutoscope and Biograph Co."@en
  • "Travel notes (1932) (12 min.) : by Walker Evans."@en
  • "Ce DVD traite des expériences novatrices en matière de technique et de la forme de prises de vues expérimentales de nombreux cinéastes et caméramans entre 1894 et 1941. Les premiers cinéastes James White, "Billy" Bitzer, et Frederick Armitage ont affirmés très tôt leurs styles, et ont été salués par le public. D'autres sociétés indépendantes ont manipulés les image par une mise en scène créative, d'édition et d'impression. Les expérimentations du photographe Walker Evans, du peintre Emlen Etting, et du musicien Jerome Hill sont aussi présentées."
  • "Oil - a symphony in motion (1933) (8 min.) : by Artkino."@en
  • "Poem 8 (1932-33) (19 min.) : by Emien Etting."@en
  • ""The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form"--Container."@en
  • "Portrait of a young man (1924 - 31)(54 min.) : by Henwar Rodakiewicz (intentionally silent) in three movements.)."@en
  • "La cartomancienne (the fortune teller) (1932) (12 min.) : by Jerome Hill."@en
  • "Storm (1942 - 43) (8 min.) : by Paul Burnford."@en
  • "Les sept vidéodisques de cette collection rassemblent 155 films d'avant-garde présentés entre 1894-1941."
  • "In youth, beside the lonely sea (c. 1924-25) (5 min.) : by creators unknown."@en

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  • "Feature films"@en
  • "Short films"@en
  • "Silent films"@en
  • "History"
  • "History"@en
  • "Experimental films"@en
  • "Amateur films"@en

http://schema.org/name

  • "Mechanized eye experiments in technique and form"@en
  • "The mechanized eye experiments in technique and form"
  • "The mechanized eye experiments in technique and form"@en