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Envisioning the Tale of Genji media, gender, and cultural production

Bringing together scholars from across the world, Haruo Shirane presents a fascinating portrait of The Tale of Genji's reception and reproduction over the past thousand years. The essays examine the canonization of the work from the late Heian through the medieval, Edo, Meiji, Taisho, Showa, and Heisei periods, revealing its profound influence on a variety of genres and fields, including modern nation building. They also consider parody, pastiche, and re-creation of the text in various popular and mass media. Since the Genji was written by a woman for female readers, contributors also tak

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  • "Bringing together scholars from across the world, Haruo Shirane presents a fascinating portrait of The Tale of Genji's reception and reproduction over the past thousand years. The essays examine the canonization of the work from the late Heian through the medieval, Edo, Meiji, Taisho, Showa, and Heisei periods, revealing its profound influence on a variety of genres and fields, including modern nation building. They also consider parody, pastiche, and re-creation of the text in various popular and mass media. Since the Genji was written by a woman for female readers, contributors also tak"@en

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  • "Aufsatzsammlung"
  • "Electronic books"@en

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  • "Envisioning "The Tale of Genji" : media, gender, and cultural production ; [International Symposium "The Tale of Genji in Japan and the World: Social Imaginary, Media, and Cultural Production", held at Columbia University, New York, on March 25 - 26, 2005]"
  • "Envisioning the Tale of Genji : media, gender, and cultural production"
  • "Envisioning the Tale of Genji media, gender, and cultural production"
  • "Envisioning the Tale of Genji media, gender, and cultural production"@en
  • "Envisioning The tale of Genji : media, gender, and cultural production"@en