"Vanguardismo (Arte)" . . "Typographie Histoire 20e siècle." . . "Avant-garde (Aesthetics) History 20th century." . . "Art and literature." . . "Art and literature" . "Geschichte 1909-1923" . . "Geschichte 1909-1923." . "Art, Modern." . . "Art, Modern" . "Semiotiek." . . "Tipografia - 1909-1923." . . "Avant-garde." . . "Diseño tipográfico Historia." . . "Letterkunde." . . "Modernism (litteratur)" . . "1909-1923" . . "Grafische industrie." . . "Arte y literatura S.XX." . . "Art 20e siècle." . . "Geschichte." . . "Caractères d'imprimerie dans l'art." . . "Printing." . . "Printing" . "Avant-garde (esthétique)." . . "Avant-garde (esthétique)" . "Avant-garde (Art) Histoire 20e siècle." . . "Art 1900-1945." . . "Letteratura e arte." . . "Avantguardisme." . . "Impremta S. XX." . . "1900 - 1999" . . "Bellettrie." . . "Littérature." . . "Typographie Histoire." . . "anno 1920-1929" . . . . "Escritura en el arte." . . "Avantguarda (Estètica)" . . "Tipus d'impremta Disseny S. XX." . . "Arte - Movimenti d'avanguardia - 1909-1923." . . "Avanguardia (Arte)" . . "Typografi." . . "typografi" . "Tipografia Storia." . . "Avantgarde." . . "Avantgarde" . "anno 1910-1919" . . "Art et littérature." . . "Imprimerie Histoire 20e siècle." . . "Typografi historia 1900-talet." . . "Typografie." . . "Typographie." . . "Typographie" . "Arte y literatura s.20." . . "1909-1923." . . "Printing History 20th century." . . "Avantguardisme (Estètica)" . . "20e siècle" . . "Beeldende kunsten." . . "Kunst Typographie Geschichte 20. Jh." . . "Avant-garde (esthétique) 20e siècle." . . . . . . . . . . . . . "The visible word : experimental typography and modern art, 1909-1923"@en . "The visible word : experimental typography and modern art, 1909-1923" . . . . . . . . . . . . . . . . . . . . . "Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In The Visible Word, Johanna Drucker shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary. Drucker suggests a methodology closer to the actual practices of the early avant-garde artists, based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Few studies of avant-garde art and literature in the early twentieth century have acknowledged the degree to which typographic activity furthered debates about the very nature and function of the avant-garde. The Visible Word enriches our understanding of the processes of change in artistic production and reception in the twentieth century."@en . . . . . . . . . "The visible word : experimental typography and modern art 1909-1923" . . "The visible word : experimental typography and modern art, 1909 - 1923" . . . . . "The visible word : experimental typography and modern art : 1909-1923" . . . . . . "The visible word" . . . . . . . . . . "The Visible word : experimental typography and modern art : 1909-1923" . . . . . . . . . . . . . . . . . . . . . . "Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography - including visual poems and collages of words and letters - that blurred the boundaries between visual art and literature. In The Visible Word, Johanna Drucker shows how later art criticism and literary theory has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by midcentury, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary." . . . . . . . . . . . . . "History"@en . . . . . "History" . . . . . . . . . . "Imprimerie 1900-1945." . . "Art, Modern 20th century." . . "art typographie 1909 / 1923." . . "Modernism (konst)" . . "Art i literatura." . . "Histoire." . . "Art modern S. XX." . . "Typographie Kunst Geschichte 20. Jh." . . "Imprenta." . . "Art contemporain." . . "Kunstesthetica." . . "Avant-garde (Aesthetics)" . . "Avant-garde (Art)" . .